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Margot Fonteyn autobiography.
Detalles de publicación: New York Knopf : distributed by Random House 1976.Edición: 1st American edDescripción: xii, 266, ix p., [40] leaves of plates ill. 25 cmISBN:- 039448570X
- 792.8/028/0924 B
- GV1785.F63 A35 1976
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | Biblioteca Encarnación Valdés Colección General bev | 792.8 F683y (Navegar estantería(Abre debajo)) | Disponible | 80000001314643 |
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Includes index.
Notas de autor provistas por Syndetics
Born in Reigate, England, Margot Fonteyn (the stage name of Margaret Hookham) is thought by many critics to have been the best British dancer of the mid-twentieth century. Fonteyn began her career as a snowflake in a production of The Nutcracker with the Vic-Wells Ballet in 1931. She remained with this company, which later became the Royal Ballet, for her entire career. In 1935 she performed her first important role with the company as the lead in a revival of Frederick Ashton's Rio Grande. She created many roles with Ashton, including Le Baiser de la Fee (1935), The Haunted Ballroom (1939), Symphonic Variations (1946), and The Fairy Queen (1946). Fonteyn eventually became the Royal Ballet's foremost prima ballerina. Especially notable was her partnering with Rudolph Nureyev during a creative partnership that became legendary. An expressive, versatile performer, Fonteyn was the first ballerina of international status developed by a British ballet school and company.(Bowker Author Biography)