Detalles MARC
| 000 -LEADER |
|---|
| fixed length control field |
03155 a2200313 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20260929115054.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
260306s2019 gw a|||gr|||| 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9783662597019 |
| 040 ## - CATALOGING SOURCE |
|---|
| Language of cataloging |
eng |
| Modifying agency |
prpcul |
| Description conventions |
rda |
| 041 ## - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
eng |
| 049 ## - LOCAL HOLDINGS |
|---|
| Holding library |
cicg |
| 050 ## - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
K 1450 |
| Item number |
.M248o 2019 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Malevanny, Nikita. |
| 9 (RLIN) |
303382 |
| 245 1# - TITLE STATEMENT |
|---|
| Title |
Online music distribution - how much exclusivity is needed? : |
| Remainder of title |
a study of international, European, German and U.S. copyright systems and their objectives / |
| Statement of responsibility, etc. |
Nikita Malevanny. |
| 264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Germany : |
| Name of producer, publisher, distributor, manufacturer |
Springer, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2019. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xxix, 423 pages : |
| Other physical details |
illustration ; |
| Dimensions |
23 cm. |
| 490 0# - SERIES STATEMENT |
|---|
| Series statement |
Munich Studies on Innovation and Competition |
| Volume/sequential designation |
v. 12 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes index. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Miscellaneous information |
Introduction -- |
| Title |
Part I - Online Music Distribution: Current Legal Situation -- |
| Miscellaneous information |
Relevant Online Music Uses -- |
| -- |
Relevant Rights and Their Applicability to Online Music Uses -- |
| -- |
Limits to Exclusive Rights in the Internal Relationship Between Original and Derivative Rightholders -- |
| -- |
Limits of the Possibility to Exclude -- |
| -- |
CRM in the Field of OMD -- |
| -- |
Current Regimes of Exclusivity in the OMD Field in Germany and in the U.S. -- |
| Title |
Part II - Compatibility of Current Regimes of Exclusivity with Regulatory Objectives in the Field of OMD -- |
| Miscellaneous information |
Promoting Creation of New Musical Subject-Matter -- |
| -- |
Rewarding Rightholders -- |
| -- |
Promoting a Level Playing Field Among Rightholders -- |
| -- |
Promoting Dissemination of Musical Subject-Matter -- |
| -- |
Further Objectives -- |
| -- |
Conclusion on Compatibility of Current Regimes of Exclusivity with Regulatory Objectives in the Field of OMD -- |
| Title |
Part III - Policy Recommendations and Conclusion -- |
| Miscellaneous information |
Policy Recommendations on Regulating Exclusivity in the Field of OMD -- |
| -- |
Conclusion -- |
| Title |
Bibliography |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
|
|
|---|
| Summary, etc. |
This book analyzes regulatory models established in the field of online music distribution, and examines their consistency with the overarching objectives of copyright law. In order to do so, the book takes a deep dive into the provisions of international treaties, EU Directives as well as the German and US copyright systems and case law. It subsequently scrutinizes the identified regulatory models from the standpoint of the copyright's objectives with regard to incentives, rewards, a level playing field, and dissemination. Lastly, it endorses the improved market-based statutory license as a preferable instrument in the online music field. |
|
|---|
| Summary, etc. |
The book is intended for all readers with an interest in music copyright law. Part I will especially benefit copyright scholars and practitioners seeking in-depth insights into the current legal situation regarding streaming and downloading. In turn, Part II will above all appeal to scholars interested in “law and economics” and in the theoretical foundations of online music copyright. Policy recommendations can be found in Part III. --Back cover |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Copyright |
| 9 (RLIN) |
80627 |
| General subdivision |
Music |
|
|---|
| Topical term or geographic name entry element |
Copyright |
| 9 (RLIN) |
80627 |
| General subdivision |
Music |
| Geographic subdivision |
Germany |
|
|---|
| Topical term or geographic name entry element |
Copyright, International |
| 9 (RLIN) |
80628 |
| General subdivision |
Music |
| 942 ## - |
|---|
| Koha item type |
Libro |
| Source of classification or shelving scheme |
Library of Congress Classification |