Detalles MARC
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34117nam a22006377a 4500 |
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| 022 0# - NÚMERO INTERNACIONAL NORMALIZADO PARA PUBLICACIONES SERIADAS |
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| Número Internacional Normalizado para Publicaciones Seriadas |
0010-3519 |
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| Número Internacional Normalizado para Publicaciones Seriadas |
00103519 |
| 040 ## - FUENTE DE CATALOGACIÓN |
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| Centro catalogador/agencia de origen |
pucpr |
| Lengua de catalogación |
eng |
| Centro/agencia transcriptor |
pucpr |
| Centro modificador |
pucpr |
| Normas de descripción |
rda |
| 041 ## - IDIOMA |
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| Código de lengua del texto/banda sonora o título independiente |
eng |
| 210 0# - TÍTULO ABREVIADO |
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| Título abreviado |
CA |
| 222 #0 - TÍTULO CLAVE |
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| Título clave |
Communication arts |
| 245 00 - TÍTULO PROPIAMENTE DICHO |
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| título |
Communication arts |
| 246 13 - VARIANTE DEL TÍTULO |
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Communication arts magazine |
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CA, Communication arts magazine |
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CA, communication arts |
| 260 ## - PIE DE IMPRENTA |
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| Ciudad de publicación |
Belmont, CA : |
| Editor, distribuidor |
Coyne & Blanchard, |
| Fecha de publicación |
2023- |
| 300 ## - DESCRIPCIÓN FÍSICA |
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volumes : |
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ill. ; photo. ; col. ; |
| Dimensiones |
30 cm |
| 310 ## - PERIODICIDAD ACTUAL |
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| Periodicidad actual |
six times a year, |
| Fecha de comienzo de la periodicidad actual |
2023 |
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texto |
| 337 ## - MEDIACIÓN |
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rdamedia |
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no mediado |
| 338 ## - PORTADOR |
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| RDA |
rdacarrier |
| Content type term |
volumen |
| 362 0# - FECHAS DE PUBLICACIÓN Y/O DESIGNACIÓN SECUENCIAL |
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| Fecha de publicación y/o designación secuencial |
Vol. 64, no. 6- |
| 501 ## - NOTA DE "CON" |
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January/February 2023: Typography annual 13 --<br/>Features --<br/>16 Lena Vargas by Michael Coyne This Santo Domingo, Dominican Republic-based illustrator draws upon her subconscious as a powerful creative tool. --<br/>24 Chad Michael Studio by Maya P. Lim Helmed by Chad Michael, this award-winning Dallas-based design firm has perfected the art of branding and packaging specialty goods. --<br/>42 Exhibit by Michael Coyne The latest and best in visual communication from here and abroad. --<br/>COLUMNS --<br/>10 Advertising Ernie Schenck encourages ad creatives not to quiet quit but to demand better from their agencies. --<br/>12 Insights In a Q&A, Universal Thirst type designer Namrata Goyal talks about her process behind creating multiscript font families. --<br/>FRESH --<br/>32 Camelia Pham This Hanoi-based illustrator fills her work with symbols that intertwine to tell the story of her subjects. --<br/>34 Julien Posture This Montreal-based illustrator pulls from his anthropological background to convey deep metaphorical images. --<br/>36 Loonatiks The results of this Athens-based firm's research on word etymologies yield wildly distinctive design solutions. --<br/>38 Serafim Mendes This Porto-based designer combines traditional graphic design with avant-garde technology. --<br/>40 Victoria Barmak A passion for cleanliness, natural light and new perspectives informs this Mexico City-based photographer's vision. --<br/>TYPOGRAPHY ANNUAL --<br/>50 Best-in-Show --<br/>60 Posters --<br/>72 Brochures/Advertising --<br/>76 Packaging --<br/>83 Ephemera --<br/>87 Books --<br/>95 Periodicals --<br/>102 Digital Media --<br/>105 Identity --<br/>115 Environmental --<br/>117 Typeface Design --<br/>137 Calligraphy/Hand Lettering --<br/>140 Motion --<br/>144 Unpublished --<br/>155 Student Work -- |
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March/April 2023: Interactive Annual 29--<br/>FEATURES:<br/>16 Hugo & Marie by Michael Coyne A dual creative studio and artist representation agency finds limitless imagination through collaboration. --<br/>24 Five Arabic Typographers by Dr. Nadine Chahine Examining the approaches of Arabic type designers creating Naskh-stvle typefaces reveals a wealth of history and technique --<br/>40 Exhibit by Michael Coyne The latest and best in visual communication from here and abroad --<br/>47 Student Showcase Our editor's ninth annual selection of portfolios by fifteen promising students of visual communication --<br/>FRESH:<br/>32 HouseMM Building upon their strong foundation in Dutch design, these three designers create tactile work for the cultural sector --<br/>34 Laura Hilbert This Frankfurt am Main, Germany-based designer experiments to discover new angles by which she approaches media --<br/>36 Raymond Alva A Southern California-based photographer delves into every facet of his medium in documentary and studio work alike --<br/>38 Susie Ang Combining concept with intuition, this Singaporean illustrator explores the intersection of solid compositions and emotional palettes --<br/>INTERACTIVE ANNUAL:<br/>64 Best-in-Show --<br/>72 Websites/Microsites --<br/>98 Mobile --<br/>104 Social --<br/>108 Environmental --<br/>118 Other Interactive Media --<br/>120 Student Work --<br/>COLUMNS:<br/>10 Advertising Ernie Schenck asks his fellow ad creatives whether listening to music helps or harms their ideation process --<br/>14 Insights In a Q&A, Rajshree Saraf, interdisciplinary designer and creative technologist, demonstrates the potential of emerging media -- |
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May/June 2023: Illustration Annual 64 --<br/>FEATURES:<br/>16 Tim Tadder by Claire Sykes A San Diego photographer fearlessly traverses the new frontiers that technology has opened for his medium. --<br/>24 Fieldwork Facility by Michael Coyne Exploring the relationship between design and place, this London-based design studio seeks to bring about a brighter future. --<br/>42 Exhibit by Michael Coyne The latest and best in visual communication from here and abroad. --<br/>COVER: <br/>Seek, a self-promotional illustration by Qinyi Yang, p. 142 --<br/>FRESH:<br/>32 Bex Glendining The illustrations of this Ramsgate, United Kingdom-based artist ground "viewers in tranquil, cinematic worlds. --<br/>34 Meghan Marin A Brooklyn-based photographer cultivates familiarity by focusing on the strangeness in everyday occurrences. --<br/>36 Monga Going against the status quo, this Florianopolis, Brazil-based design firm shows creatives how to achieve their dreams. --<br/>38 Kris Andrew Small Through bright colors and positive messaging, a Sydney-based artist and designer marries activism and accessibility. --<br/>40 Tatjana Junker Inspired by the boldness of fashion sketches, this Berlin-based illustrator reintroduces the human touch to her digital work. -- <br/>ILLUSTRATION ANNUAL:<br/>50 Best-in-Show --<br/>6o Advertising --<br/>68 Books --<br/>91 Editorial --<br/>106 For Sale --<br/>116 Institutional --<br/>130 Animation --<br/>138 Self-Promotion --<br/>151 Unpublished --<br/>157 Student Work --<br/>COLUMNS: <br/>10 Advertising Ernie Schenck demonstrates that the most insignificant projects can some-times hold the most profound impact. --<br/>12 Insights In a Q&A, Lindsay Stripling, painter, muralist and teacher at the California College of the Arts, discusses how she developed her magical-realist illustration style. -- |
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July/August 2023: Photography Annual 64 --<br/>FEATURES: <br/>16 AREA 17 by Yolanda Zappaterra The work of this storied Paris- and New York-based digital design firm has shaped the potential of web design. --<br/>24 Francesco Bongiorni by Garrick Webster This Madrid-based illustrator weaves research, storytelling and diverse influences into his images. --<br/>40 Exhibit by Michael Coyne The latest and best in visual communication from here and abroad. <br/>COVER: <br/>Smithsonian magazine photograph by Angel Fitor, p. 107. --<br/>FRESH: <br/>32 Tobias Bolliger A Bern, Switzerland-based designer explores how design can open different artistic disciplines to new possibilities. --<br/>34 Jiatong Liu Dreamy atmospheres and vibrant colors permeate the work of this London-based illustrator. --<br/>36 Jermaine Jackson This Oakland, California-based photog-rapher trains his lens on the naturalistic moments that emerge on set. --<br/>38 Ben Konkol The transcendental work of this Boise, Idaho-based illustrator and animator engages viewers with its incredible detail. --<br/>PHOTOGRAPHY ANNUAL:<br/>48 Best-in-Show --<br/>59 Advertising --<br/>87 Books --<br/>92 Editorial --<br/>108 For Sale --<br/>112 Institutional --<br/>123 Multimedia --<br/>128 Self-Promotion --<br/>151 Unpublished --<br/>168 Student Work --<br/>COLUMNS: <br/>10 Advertising Examining Jordan Peele's film Nope, Ernie Schenck encourages creatives to ask questions with unknown answers. --<br/>12 Insights In a Q&A, Whitney Johnson Latorre, director of visuals and immersive experiences at National Geographic, foretells the next generation of photographic media. -- |
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SEPTEMBER/OCTOBER 2023 VOLUME 65, NUMBER 4 Design Annual 64 --<br/>FEATURES: <br/>16 Polyester Studio by Chris Daniels This Toronto-based animation studio believes in the power of creating memorable characters to connect with audiences. --<br/>24 Leo Burnett Tailor Made by Thais Gouveia In Sao Paulo, an ad agency has perfected how the medium informs the message while exploring new technology. --<br/>40 Exhibit by Michael Coyne The latest and best in visual communication from here and abroad. --<br/>COLUMNS <br/>10 Advertising Ernie Schenck argues that creatives must put their politics and biases aside to tap into their full potential. --<br/>12 Insights In a Q&A, Sarah Berkheimer, design director at ad agency Cactus, explains how digital media transforms identity design from static to mutable. --<br/>Fresh: <br/>32 1/4 Studio This Porto, Portugal-based design firm's protean output embodies the philosophical design approach of its cofounders. --<br/>34 Eager Zhang A Kansas City, Missouri-based designer creates their work through meta-cognitive, speculative methods. --<br/>36 Xinmei Liu A New York City-based illustrator seeks out contradictions within her subjects to develop visual metaphors infused with satire. --<br/>38 Lanna Apisukh This New York-based photographer accentuates her subjects through color, composition and lighting. --<br/>DESIGN ANUAL <br/>48 Best-in-Show --<br/>58 Packaging --<br/>69 Annual Reports --<br/>73 Posters --<br/>84 Brochures --<br/>87 Catalogs --<br/>90 Trademarks/Identity Programs -- <br/>94 Integrated Branding Programs --<br/>115 Editorial -- <br/>119 Books -- <br/>129 Environmental Graphics --<br/>134 Motion Graphics --<br/>144 Public Service --<br/>147 Self-Promotion --<br/>154 Miscellaneous --<br/>158 Student Work --<br/> |
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July/August 2024 Volume 66, Number 3 Photography Annual 65 --<br/>Features: <br/>16 Moment Factory by Chris Daniels Headquartered in Montréal, this globally based multimedia studio creates magic with interactive experiences --<br/>24 Lisk Feng by Gray Chapman This New York based illustrator expertly captures the behavior and feeling of water, light and shadow in her work --<br/>40 Exhibit by Michael Coyne The latest and best in visual communication from here and abroad --<br/>Cover:<br/>Self promotional photograph by David Allan Brandt, p. 153 --<br/>Fresh:<br/>32 Beatriz Lozano A New York based designer explores all kind of media and the ways that they can intersect within her practice --<br/>34 Typografische Led by creative director and type designer Fatih Hardal, this Istanbul based type foundry explores minimal, emotive type and graphic design --<br/>36 Sunnu Rebecca Choi This London based illustrator employs textures, layers and metaphors to communicate emotional subjects from a place of empathy --<br/>38 We Feel An Innsbruck, Austria based photography and filmmaking collective seeks to reconnect viewers of its work with the real world --<br/>Photography Annual:<br/>48 Best in Show --<br/>54 Advertising --<br/>84 Books --<br/>87 Editorial --<br/>124 For Sale --<br/>132 Institutional --<br/>140 Multimedia --<br/>147 Self Promotion --<br/>153 Unpublished --<br/>170 Student Work -<br/>Columns:<br/>10 Advertising Ernie Schenck explains the value of eccentricity as the flint that makes the creative spark --<br/>12 Insights In a Q&A, photographer Melody Melamed unpacks her expertise in portraiture and her mission to tell stories that speak to the essence of humanity --<br/> |
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Sep / Oct 2024 Volume 66, number 4: Communication Arts --<br/>Features:<br/>16 Cream by Stephanie Hunt In Richmond, Virginia, this animation studio combines its partners’ specialties to explore the boundaries of motion graphics --<br/>24 Daughter by Wendy Helfenbaum this small Calgary based agency infuses its creativity with a nimble approach to develop innovative campaigns --<br/>40 Exhibit by Michael Coyne the latest and best in visual communication from here and abroad --<br/>Columns:<br/>10 Advertising against the fast pace of the ad industry, Ernie Schenck propounds for the value of slowing down --<br/>12 Insights in a Q&A , art director and multidisciplinary designer Sanchit Sawaira talks with us about his experiments in AI art and his experiences in branding --<br/>Fresh:<br/>32 Day Job A passion for going against industry trends fuels this Los Angeles based creative studio’s indiosyncratic, subjective approach --<br/>34 Katie Thomas This Penryn, UK based illustrator conveys emotions and themes through her mastery of color and isometric perspective --<br/>36 Rozi Zhu The work of this New York based multidisciplinary designer reflects her curiosity to explore new media and discover new experiences --<br/>38 Tate Drucker Combining her loves of travel and documenting, this Tofo Beach, Mozambique based photographer trains her eye on the truth --<br/>Cover: From left to right: Andmore identity, p 101 ; Sueurs Froides book covers, p 105 ; Lost IV book covers, p 113 Vinoce Vineyards label design, p 56 --<br/>Design Annual: <br/>48 Best-in-show --<br/>55 Packaging --<br/>60 Annual Reports --<br/>63 Posters --<br/>74 Brochures --<br/>77 Catalogs --<br/>80 Trademarks --<br/>82 Identity Manuals --<br/>86 Integrated Branding Programs --<br/>102 Editorial / books --<br/>118 Environmental Graphics --<br/>122 Motion Graphics --<br/>126 Miscellaneous --<br/>130 Public Service --<br/>134 Self-Promotion --<br/>144 Student Work --<br/> |
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November / December 2024 Volume 66, number 5 : Comunnication Arts --<br/>Features :<br/>14 Span by Jude Stewart With a focus on both the past and future, this Chicago based design firm creates grounded, flexible work to grow with its clients --<br/>22 Franck Bohbot by Claire Sykes A Paris based photographer uses architectural and street scenes to convey the personality of cities and their citizens --<br/>38 Exhibit by Michael Coyne The latest and best in visual communication from here and abroad --<br/>Columns :<br/>5 Advertising Through the lens of TV show Alone, Ernie Schenck prepares this survival guide for creatives up against AI --<br/>10 Insights In a Q&A, Britt Nolan, chief creative officer at Leo Burnett, explains how irony, personality flaws and a touch of darkness help make characters memorable in ads --<br/>Fresh : <br/>30 Tola Olawale This Houston based photographer brings authentic representation to her images by capturing spontaneous moments of joy --<br/>32 Field of Practice This member owned, women led design studio in Chicago creates transformational work with the desire to better our world --<br/>34 Apex Type Foundry Established by Alex Chavot, this Paris based type foundry present his exploratory crossover fonts from diverses influences --<br/>36 Zhiyu You Whimsical and macabre, the art of this New York based illustrator portrays the experience of women in contemporary society --<br/>ADVERTISING ANNUAL :<br/>46 Best-in-Show --<br/>54 Posters --<br/>65 Print Advertising --<br/>67 Digital Advertising --<br/>85 Integrated Campaigns --<br/>99 Sales Promotion --<br/>100 Self-Promotion --<br/>105 Non Traditional Advertising --<br/>116 Public Service --<br/>128 Public Service Television --<br/>131 Television Commercials --<br/>136 Radio Commercials --<br/>138 Student Work --<br/>COVER Clockwise from top left: McDonald's Canada posters, p. 61; Campbell Company of Canada posters, p. 54; Deloitte self-promotional campaign, p. 102; CEE Centre for Young Black Professionals public service campaign, p. 125 -- |
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January / February 2025 Volume 66, number 6 : Communication Arts --<br/>Features : <br/>16 Content Object by Anne Telford The bicoastal design practice of Kimberly Varella elevates the medium of arts books through her transformative works in the cultural sector -- <br/>24 Paul Blow by Garrick Webster A Bridport, United Kingdom based illustrator uncovers the deepest meanings and twists in his editorial assignments --<br/>42 Exhibit by Michael Coyne The latest and best in visual communication from here and abroad -- <br/>Columns :<br/>10 Advertising By examining the career of Jim Carrey, Ernie Schenck charts a roadmap for dealing with creative burout --<br/>12 Insights In a Q&A, Matthew ''RaseOne'' Napolitano recounts his journey from 1190s graffiti art to pioneering generative fonts --<br/>Fresh :<br/>32 Brianna Roye The intimate portraits of his Toronto based photographer highlight underrepresented populations in media --<br/>34 Ana Miminoshvili This Tbilisi based illustrator weaves her observations of the world around her with an uncanny aesthetic and love of texture --<br/>36 Time Machine + Folks Based in Edinburgh, this design firm shatters boundaries and unites people with its work for multicultural brands --<br/>38 Weston Wei Placing human figures in surreal compositions gives this New York based illustrator a distinctive talent for creating visual narratives -- <br/>40 Standard Projects A Sydney based design firm seeks to elevate the status of design around the globe by creating timeless identity systems for clients --<br/>Typography Annual :<br/>50 Best in Show --<br/>57 Posters --<br/>67 Advertising --<br/>69 Brochures --<br/>73 Packaging --<br/>74 Ephemera --<br/>77 Books --<br/>81 Periodicals --<br/>86 Identity --<br/>97 Environmental --<br/>101 Typeface Design --<br/>134 Motion --<br/>138 Miscellaneous --<br/>141 Unpublished --<br/>145 Student Work --<br/> |
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March / April 2025 Volume 67, number 1 : Interactive Annual 31 --<br/>FEATURES:<br/>14 Motion Sickness by Tonya Turner An Auckland, New Zealand-based creative agency makes waves around the world with its distinctively Kiwi sense of humor --<br/>22 Tien-Min Liao by Angelynn Grant This New York - based typographer specializes in harmonizing her playful Latin fonts with bespoke East Asian ideographs --<br/>38 Exhibit by Michael Coyne The latest and best in visual communication from here and abroad --<br/>45 Student Showcase Our editor ' s 11th annual selection of portfolios by fifteen promising students of visual communication --<br/>FRESH:<br/>30 David Leutert The work of this Berlin - based illustrator and hand letterer emanates the joy he feels when he creates --<br/>32 Myriam Wares An air of mystery that enshrouds the work of this Montréal - based illustrator draws viewers into her surreal, mythology - fueled world --<br/>34 Sarah Hopp Radiating with playfulness, the work of this New York-based photographer reveals her avidity for crafting every part of the image --<br/>36 Vlad Boyko New relationships between form and function emerge from the avant - garde work of this Brussels -based designer --<br/>INTERACTIVE ANNUAL:<br/>62 Best – in – Show --<br/>66 Websites / Microsites --<br/>90 Mobile --<br/>96 Social --<br/>100 Environmental --<br/>112 Other Interactive Media 114 Student Work --<br/>COLUMNS:<br/>5 Advertising Ernie Schenck looks to the work of Paul Simon and other incredible songwriters for ideas that capture audiences ' minds --<br/>12 Insights In a Q&A, Nicolas Rajably, founder and creative director of makemepulse, discusses the growing world of branded video games --<br/> |
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May / June 2025 : Volume 67, Number 2 : Illustration Annual 66 --<br/>Features:<br/>16 Atelier ter Bekke & Behage by Kala Barba Court A Paris based design duo applies a keen understanding of design principlesw and branding to make timeless work --<br/>24 Kennedi Carter by Anne Telford Based in Durham, North Carolina, this young photographer has landed on international magazine covers with her talent for portraiture --<br/>42 Exhibit by Michael Coyne The latest and best in visual communication from here and abroad --<br/>COVER: <br/>Opera company inseries brochure illustration, p. 110. David Plunkert, illustrator ; Timothy Nelson, art director --<br/>Fresh: <br/>32 Romain Bourillon A Paris based designer blends a primal sense of design with symbolic imagery to craft a visual language of his very own --<br/>34 Sam Wilde Captivated by the merging organic and synthetic worlds, this London based illustrator creates uniquely wild sculptures and patterns --<br/>36 Lian Benoit A Montréal based photographer captures the emotional complexity of youth led by her empathy and artistic sensibilities --<br/>38 Lazaris Founded by Alex Lazaris, this Los Angeles based creative collective prioritizes robust brand strategies and a love of the creft --<br/>40 Beatriz Ortiz Based in Rio de Janeiro, this illustrator creates surreal collages that blend natural elements with vibrant digital texture --<br/>Illustration Annual:<br/>50 Best in Show --<br/>58 Advertising --<br/>70 Books --<br/>82 Editorial --<br/>98 For Sale --<br/>106 Institutional --<br/>118 Animation --<br/>120 Self Promotion --<br/>133 Unpublished --<br/>145 Student Work --<br/>Columns: <br/>10 Advertising Reflecting on the nature of creative aspirations, Ernie Schenck notes the endless longing that keeps driving us to new heights --<br/>12 Insights In a Q&A, Katrina Crawford and Mark Bashore, founders of production company Plains of Yonder, talk about their hand crafted approach to creating TV titles --<br/>Departments:<br/>6 Editor's Column --<br/>14 Book Reviews --<br/>158 Index to Illustration Annual 66 --<br/>162 Overheard--<br/>Submitting Work commarts.com / submissions :<br/>Advertising Creative Hotlist 13,C4 --<br/>Call For Entries:<br/>Advertising 2025 5 --<br/>Typography 2026 11 -- |
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July / August : Volume 67, Number 3: Photography Annual 66 --<br/>Features: <br/>16 Gladeye by Sam McMillan An Auckland based digital design firm with an adventurous spirit explores all the possibilities of creative technology --<br/>24 Guillermo Flores by Isis Davis Marks This Guadalajara, México based artist combines illustration and collage into a dreamlike oeuvre with a cast of surreal characters --<br/>40 Exhibit by Michael Coyne The latest and best in visual communication from here and abroad --<br/>Cover Onpublished photograph by Dan Saelinger, p. 162 --<br/>Fresh: <br/>32 Jenna Beekhuis Through the lens of portraiture, this Riverside, California based photographer tells the collective story of her generation --<br/>34 Dominic Bodden The work of this New York based illustrator vibrates with colors and shading that speak to his multilayered approach --<br/>36 Francesca Melis An Auckland based artist invites her audience to explore their connections with nature and their own heritage through her illustrations --<br/>38 Goodside Adesigner and strategist working together in San Francisco weave their talents together to create work that teems with personality --<br/>Photography Annual: <br/>48 Best in Show --<br/>54 Advertising -- <br/>80 Books --<br/>88 Editorial --<br/>107 For Sale --<br/>112 Institutional --<br/>123 Multimedia --<br/>128 Self Promotion --<br/>141 Unpublished --<br/>168 Student Work --<br/>Columns :<br/>10 Advertising Ernie Schenck explores the true definition of art and ponders on its relationship with humanity --<br/>12 Insights In a Q&A, photographer Dennis Murphy talks about his nonprofit My Hand My Cause and how he raises money for charity through photography -- |
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September / October 2025:<br/>FEATURES:<br/>16 The Republik by Kimeko McCoy This Raleigh, North Carolina- based ad agency has found success through unforgettable campaigns and an equitable business plan --<br/>24 Revenant by Yolanda Zappaterra A Glasgow based animation studio combines its technical skills with boundless imagination to create motion graphics with deep narratives --<br/>40 Exhibit by Michael Coyne The latest and best in visual communication from here and abroad --<br/>COLUMNS:<br/>10 Advertising As true creativity lies off the beaten path, Ernie Schenck encourages us to drive off road and find true innovation --<br/>12 Insights In a Q&A, itch Monson of Sibling Rivalry analyzes the athlete’s mindset and how it can be applied to creative professions -- <br/>FRESH:<br/>32 David Elmo Cooper This New York based artist uses illustration to convey his personal values and uncovers emotional nuance within their themes --<br/>34 STOKI Formed by a trio of designers, this Budapest- based design firm eschews trends to convey its client’s purposes through vibrant colors --<br/>36 Gem Hale Based in Los Angeles, this photographer draws inspiration from his life experiences for an empathetic approach to portraiture --<br/>38 Kati Närhi A Helsinki-based illustrator suffuses her graphic novels, picture books and commissioned work with radiant color and graphic shapes --<br/>DESIGN ANNUAL :<br/>48 Best in Show --<br/>55 Packaging --<br/>63 Annual Reports --<br/>64 Trademarks / Identity Programs --<br/>66 Integrated Branding Programs --<br/>84 Catalogs --<br/>87 Posters --<br/>92 Books --<br/>104 Motion Graphics --<br/>108 Public Service--<br/>115 Environmental Graphics --<br/>119 Miscellaneous --<br/>124 Self- Promotion --<br/>132 Students Work --<br/>COVER :<br/>From top to bottom: BLEUFEU INTEGRATED BRANDING PROGRAM, P. 83; Fondation du MAC integrated branding program, p. 74; Flour + Water packaging, p. 55; Oculus Display typeface, p. 124 --<br/> |
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November / December 2025 : Volume 67, Number 5 : Advertising Annual 66 --<br/>Cover:<br/>From left to right: Art Gallery of Ontario non traditional campaign, p. 102; Best of Kin integrated campaign, p. 91 ; Canadian Stuttering Association public service campaign, p. 108 --<br/>Features: <br/>14 Sunday Afternoon by Gray Chapman A New York based brand studio has redefined the role of a creative agency by incorporating a talent roster system --<br/>22 Jason van Bruggen by Michael Coyne From Ontario, Canada, to the world’s remote corners, this adventurous photographer seeks to visualize the abstractness of climate change --<br/>38 Exhibit by Michael Coyne The latest and best in visual communication from here and abroad --<br/>Columns:<br/>5 Advertising Comparing scientific discoveries with creative endeavors, Ernie Schenck urges us to make our own work like no one else can -- <br/>10 Insights In a Q&A, Erick Rosa discusses how working internationally, listening to diverse perpectives and producing personal projects fuel his creativity --<br/>Fresh:<br/>30 Elianel Clinton Based in Belleville, New Jersey, this photographer brings his lived experiences into the frame for his work in fashion and editorial --<br/>32 Monica Losada This Barcelona based designer finds novel design solutions by constantly pushing the boundaries of her tools and software --<br/>34 Jordan Amy Lee A London based illustrator plays with mid century aesthetics and textures to create graphic representations of her subjects --<br/>36 Retour Chariot Working together and separately, a trio of designers based in Rennes has cultivated a design style using vivid colors and expressive shapes --<br/>Advertising Annual :<br/>46 Best in Show --<br/>51 Posters --<br/>59 Print Advertising --<br/>63 Digital Advertising --<br/>76 Integrated Campaigns --<br/>95 Self Promotion --<br/>99 Sales Promotion --<br/>101 Non Traditional --<br/>105 Public Service --<br/>117 Public Service TV --<br/>123 Radio Commercials --<br/>124 Television Commercials --<br/>128 Student Work --<br/> <br/> |
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January / February 2026 : Volume 67, Number 6 : Typography --<br/>Features: <br/>16 Denomination by Garrick Webster Expanding from Australia to the UK and US, this multinational design firm seeks to revolutionize drinks packaging with sustainable design --<br/>24 Sara Wong by Ruth Hagopian A Baltimore based artist creates palpable atmospheres in her illustrations that reflect the emotional state of her characters --<br/>42 Exhibit by Michael Coyne The latest and best in visual communication from here and abroad --<br/>Columns :<br/>10 Advertising Ernie Schenck questions the hoarding of creative ideas and argues for the benefits of freely sharing concepts with others --<br/>12 Insights In a Q & A Paul Hanslow of Tandem Type discusses establishing a foundry with Kaja Slojewska and how type designers must balance form and function --<br/>Fresh:<br/>32 Brian Lutz This Weatogue, Connecticut based illustrator preserver his love of graphite drawing in his process by combining it with digital color --<br/>34 Lea Golis A Denver based photographer applies her eye to shoot candid moments with a painterly sense of color and lighting --<br/>36 Mouthwash Founded by a quartet, this Los Angeles based design firm seeks to push boundaries and develop its team’s skills within its timeless work --<br/>38 Ollie Hirst A Manchester based illustrator translates difficult concepts of human health into relatable illustrations for editorials and medical journals --<br/>40 Talia Cotton Inspired by the convergence of design and tech, a New York based creative director now leads a studio propelled by code based visuals --<br/>Typography Annual :<br/>50 Best in Show --<br/>55 Posters --<br/>66 Packaging --<br/>69 Brochures --<br/>73 Books --<br/>81 Periodicals --<br/>82 Identity --<br/>90 Environmental --<br/>94 Typeface Design --<br/>132 Motion --<br/>135 Digital Media --<br/>131 Ephemera --<br/>136 Miscellaneous --<br/>137 Unpublished --<br/>140 Student Work --<br/>Cover Visconte, p.126 ; CoFo Raffiné, p. 98 --<br/> |
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March / April : Volume 68, Number 1 Interactive Annual 32 --<br/>FEATURES :<br/>14 Uncommon by Jack Butler Terry By pushing boundaries and executing divisive ideas , this globally based creative agency has discovered the formula to being memorable --<br/>22 Luke Ritchie by Alix Rose Cowan A Cape Town - based typographer and letterer indulges his perfectionism by taking a painstaking approach to his work --<br/>38 Exhibit / by Michael Coyne The latest and best in visual communication from here and abroad --<br/>45 Student Showcase Our editor ' s 12th annual selection of portfolios by fifteen promising students of visual communication --<br/>FRESH :<br/>30 Marco Lawrence Focusing on technical skill and inclusivity , this New York - based illustrator practices building surreal worlds in his work --<br/>32 Salt and Sister Studio A design duo formed by sisters in the United Kingdom works against the toxic agency model by thoughtfully collaborating with clients --<br/>34 Victoria Englund Leijon Based in Stockholm , this designer and typographer discovers harmonious intersections by combining opposing visual elements --<br/>36 Sam Hart A Salt Lake City - based photographer uses a meticulous process to capture the different material textures of products --<br/>INTERACTIVE ANNUAL :<br/>62 Best in Show --<br/>64 Websites / Microsites --<br/>90 Mobile --<br/>92 Environmental --<br/>106 Other Interactive Media --<br/>112 Student Work --<br/>COLUMNS --<br/>5 Advertising Through the story behind adapting A River Runs Through It into film , Ernie Schenck stresses the importance of inner validation --<br/>10 Insights In a Q&A , Volodymyr Shostakovych of Vova Design discusses his talent in crafting presentation decks and user interfaces for Bay Area startups --<br/><br/> |
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May / June 2026 : Volume 68, Number 2 : Illustration Annual 61 --<br/>Features :<br/>16 Meat by Wendy Helfenbaum Based in Toronto and Beijing, this design firm uncovers intersections from all kinds of visual culture for clients unafraid to be bold --<br/>24 Bastiaan Woudt by Max Hirshfeld A master of black and white photography, this Amsterdam based photographer blends contemporary minimalism with classical portraiture --<br/>42 Exhibit by Michael Coyne The latest an best in visual communication from here and abroad --<br/>Cover :<br/>Myriam Wares’s poster illustration for the National Poetry Society p. 66 --<br/>Fresh : <br/>32 Anna Matuella Based in Kansas City, this designer searches for novel compositions with simple forms, rearranging the familiar into the fresh --<br/>34 Liao Liao With her focus on conveying resonant emotions in her art, this New York illustrator has uncovered a visual language that transcends culture --<br/>36 John Biggs A Brighton, United Kingdom based illustrator visualizes the complexities of human life and distills them into narrative images --<br/>38 Ruslan Abasov This Lausanne, Switzerland based designer explores the relationship between visuals and communication through type and design --<br/>40 Conor Courtney Inspired by his early darkroom experiments, a London based photographer instinctively seeks out high contrast patches of light --<br/>Illustration Annual :<br/>50 Best in Show --<br/>58 Advertising --<br/>72 Books --<br/>88 Editorial --<br/>108 For Sale --<br/>114 Institutional --<br/>121 Animation --<br/>128 Unpublished --<br/>146 Student Work --<br/>Columns:<br/>10 Advertising Ernie Schenck reflects on the potential of abandoned projects and what they reveal about their would be creators --<br/>12 Insights In a Q&A, London based illustrator Nomoco discusses how ink became her preferred medium for its dreamy, hazy qualities --<br/> |
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September / October 2026 :Volume 68, Number 4 : Design Annual 67 --<br/>Features: <br/>16 ManvsMachine by Chris Daniels A London- and Los Angeles-based creative agency plants its feet firmly at the chaotic intersection of technology and craft --<br/>24 No Fixed Address by Dave Kuhl Leading with curiosity, this Toronto based ad agency has earned a reputation for fearless creativity in its campaigns --<br/>40 Exhibit by Michael Coyne The latest and the best in visual communication from here and abroad --<br/>Fresh: <br/>32 Meredith Schomburg In her depictions of movement, this Brooklyn-based illustrator focuses on honoring the joy and fun in our everyday lives --<br/>34 Ming Hsun Yu A Taipei-based designer seeks to create order from chaos, portraying personal and cultural experiences in their work --<br/>36 Yanjun Chen The mysteries of the human psyche intrigue this Shanghai-based illustrator, who explores psychological and mythological themes --<br/>38 Alex Knight This Salt Lake City based photographer captures the raw energy of athletes and off road vehicles in the majesty of the outdoors --<br/>Design Annual: <br/>48 Best in Show --<br/>52 Packaging --<br/>57 Annual Reports --<br/>58 Product Brochures --<br/>58 Letterheads --<br/>60 Trademarks --<br/>60 Identity Manuals --<br/>64 Integrated Branding Programs --<br/>84 Catalogs --<br/>89 Posters --<br/>96 Editorial --<br/>99 Books --<br/>106 Motion Graphics --<br/>110 Public Service --<br/>112 Environmental Graphics --<br/>116 Miscellaneous --<br/>119 Self Promotion --<br/>124 Student Work --<br/>Columns: <br/>10 Advertising Ernie Schenk argues that the lack of collaboration in today’s adversiting world is letting some of the best ideas die in the dark --<br/>12 Insights In a Q&A, Flora Chan, head of design at Redscout, discusses how she helps create progressive branding for scaling audiences --<br/>Cover: <br/>54 El Mágico Tequilla packaging --<br/>77 Bafweek integrated branding program --<br/>80 Festival de cinema de la ville de Québec integrated branding program --<br/>89 Top to bottom, left to right: 233 Art Gallery poster --<br/>90 Les Malchaussées poster --<br/> |
| 515 ## - NOTA DE PECULIARIDADES DE LA NUMERACIÓN |
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| Nota de peculiaridades de la numeración |
Beginning in <23-> the January/February issue is called: Typography annual 13. |
| 776 08 - ENTRADA/ENLACE A UN FORMATO FÍSICO ADICIONAL |
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| Título |
Communication arts |
| 050 00 - CLASIFICACIÓN LIBRARY OF CONGRESS |
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| clasificación |
NC997.A1 |
| Clave de autor |
C2 |
| 082 04 - CLASIFICACIÓN DECIMAL DEWEY |
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| edición |
19 |
| Clasificación |
741.6/05 |
| 650 #0 - MATERIA GENERAL |
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| Término de materia o nombre geográfico como elemento inicial |
Commercial art |
| Subdivisión de forma |
Periodicals. |
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| Término de materia o nombre geográfico como elemento inicial |
Commercial art. |
| Fuente del encabezamiento o término |
fast |
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| Término de materia o nombre geográfico como elemento inicial |
Commercial art |
| Subdivisión de forma |
Yearbooks. |
| Fuente del encabezamiento o término |
sears |
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| Término de materia o nombre geográfico como elemento inicial |
Printing |
| Subdivisión de forma |
Yearbooks. |
| Fuente del encabezamiento o término |
sears |
| 655 #7 - TÉRMINO DE INDIZACIÓN--GÉNERO/FORMA |
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| Materia - género/forma |
periodicals. |
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| Materia - género/forma |
Periodicals. |
| Fuente del término |
fast |
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| Materia - género/forma |
Periodicals. |
| 942 ## - PUNTO DE ACCESO ADICIONAL KOHA |
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| Fuente del sistema de clasificación o colocación |
Library of Congress Classification |
| Tipo de ítem koha |
Revista |
| Parte de la signatura que corresponde a la clasificación (Parte de la clasificación) |
NC997.A1 |
| Prefijo de la signatura |
Revistas |
| Sufijo de la signatura |
C2 Año |