Space, time and architecture (Registro nro. 244770)

Detalles MARC
000 -LEADER
fixed length control field 09017nam a2200325Ia 4500
003 - CONTROL NUMBER IDENTIFIER
control field pucpr
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20201124151624.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 140806s19672008mauae b 001 0 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780674830400
Qualifying information cloth
International Standard Book Number 9780674030473
Qualifying information pbk
040 ## - CATALOGING SOURCE
Original cataloging agency pucpr
Language of cataloging eng
Transcribing agency pucpr
Modifying agency pucpr
Description conventions rda
049 ## - LOCAL HOLDINGS
Holding library CARIBET
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number NA203
Item number G5 1967
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 720/.9
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Giedion, S.
Fuller form of name (Sigfried)
Dates associated with a name 1888-1968.
9 (RLIN) 228079
245 10 - TITLE STATEMENT
Title Space, time and architecture
Remainder of title the growth of a new tradition.
Statement of responsibility, etc. Sigfried Giedion
Medium txt
250 ## - EDITION STATEMENT
Edition statement Fifth edition, revised and enlarged 1967
264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Cambridge Massachusetts
Name of producer, publisher, distributor, manufacturer Harvard University Press
Date of production, publication, distribution, manufacture, or copyright notice 1967
300 ## - PHYSICAL DESCRIPTION
Extent lvi, 897 p.
Other physical details illus., plans.
Dimensions 25 cm.
Type of unit book
336 ## - CONTENT TYPE
Source rdacontent
Content type term text
Content type code txt
337 ## - MEDIA TYPE
Source rdamedia
Media type term unmediaded
Media type code n
338 ## - CARRIER TYPE
Source rdacarrier
Carrier type term volume
Carrier type code nc
500 ## - GENERAL NOTE
General note Include index
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Bibliographical footnotes.
505 ## - FORMATTED CONTENTS NOTE
Formatted contents note Introduction: Architecture of the 1960's: Hopes and Fears --<br/>Part I. --<br/>History A Part Of Life --<br/>Introduction --<br/>The Historian's Relation to His Age --<br/>The Demand for Continuity --<br/>Contemporary History --<br/>The Identity of Methods --<br/>Transitory and Constituent Facts -- <br/>Architecture as an Organism --<br/>Procedure --<br/>Part II. --<br/>Our Architectural Inheritance --<br/>The New Space Conception: Perspective --<br/>Perspective and Urbanism --<br/>Prerequisites for the Growth of Cities --<br/>The Star-Shaped City --<br/>Perspective and the Constituent Elements of the City --<br/>The Wall, the Square, and the Street --<br/>Bramante and the Open Stairway --<br/>Michelangelo and the Modeling of Outer Space --<br/>What Is the Real Significance of the Area Capitolina? --<br/>Leonardo da Vinci and the Dawn of Regional Planning --<br/>Sixtus V (1585-1590) and the Planning of Baroque Rome --<br/>The Medieval and the Renaissance City --<br/>Sixtus V and His Pontificate --<br/>The Master Plan --<br/>The Social Aspect --<br/>The Late Baroque --<br/>The Undulating Wall and the Flexible Ground Plan --<br/>Francesco Borromini, 1599-1667 --<br/>Guarino Guarini, 1624-1683 --<br/>South Germany: Vierzehnheiligen --<br/>The Organization of Outer Space --<br/>The Residential Group and Nature --<br/>Single Squares --<br/>Series of Interrelated Squares --<br/>Part III. --<br/>The Evolution Of New Potentialities --<br/>Industrialization as a Fundamental Event --<br/>Iron --<br/>Early Iron Construction in England --<br/>The Sunderland Bridge --<br/>Early Iron Construction on the Continent --<br/>From the Iron Column to the Steel Frame --<br/>The Cast-Iron Column --<br/>Toward the Steel Frame --<br/>James Bogardus --<br/>The St. Louis River Front --<br/>Early Skeleton Buildings --<br/>Elevators --<br/>The Schism Between Architecture and Technology --<br/>Discussions --<br/>Ecole Polytechnique: the Connection between Science and Life --<br/>The Demand for a New Architecture --<br/>The Interrelations of Architecture and Engineering --<br/>Henri Labrouste, Architect Constructor, 1801-1875 --<br/>New Building Problems-New Solutions --<br/>Market Halls --<br/>Department Stores --<br/>The Great Exhibitions --<br/>The Great Exhibition, London, 1851 --<br/>The Universal Exhibition, Paris, 1855 --<br/>Paris Exhibition of 1867 --<br/>Paris Exhibition of 1878 --<br/>Paris Exhibition of 1889 --<br/>Chicago, 1893 --<br/>Gustave Eiffel and His Tower --<br/>Part IV. --<br/>The Demand For Morality In Architecture --<br/>The Nineties: Precursors of Contemporary Architecture --<br/>Brussels the Center of Contemporary Art, 1880-1890 --<br/>Victor Horta's Contribution --<br/>Berlage's Stock Exchange and the Demand for Morality --<br/>Otto Wagner and the Viennese School --<br/>Ferroconcrete and its Influence upon Architecture --<br/>A. G. Perret --<br/>Tony Garnier --<br/>Part V. --<br/>American Development --<br/>Europe Observes American Production --<br/>The Structure of American Industry --<br/>The Balloon Frame and Industrialization --<br/>The Balloon Frame and the Building-up of the West --<br/>The Invention of the Balloon Frame --<br/>George Washington Snow, 1797-1870 --<br/>The Balloon Frame and the Windsor Chair --<br/>Plane Surfaces in American Architecture --<br/>The Flexible and Informal Ground Plan --<br/>The Chicago School --<br/>The Apartment House --<br/>Toward Pure Forms --<br/>The Leiter Building, 1889 --<br/>The Reliance Building, 1894 --<br/>Sullivan: The Carson, Pirie, Scott Store, 1889-1906 --<br/>The Influence of the Chicago World's Fair, 1893 --<br/>Frank Lloyd Wright --<br/>Wright and the American Development --<br/>The Cruciform and the Elongated Plan --<br/>Plane Surfaces and Structure --<br/>The Urge toward the Organic --<br/>Office Buildings --<br/>Influence of Frank Lloyd Wright --<br/>Frank Lloyd Wright's Late Period --<br/>Part VI. --<br/>Space—time in art, architecture, and construction --<br/>The new space conception: space—time --<br/>Do we need artists? --<br/>The research into space: cubism --<br/>The artistic means --<br/>The research into movement: futurism painting today --<br/>Construction and aesthetics: slab and plane --<br/>The bridges of Robert Maillart --<br/>Afterword --<br/>Walter Gropius and the German development --<br/>Germany in the nineteenth century --<br/>Walter Gropius --<br/>Germany after the first world war and the Bauhaus --<br/>The Bauhaus buildings at Dessau, 1926 --<br/>Architectural Aims --<br/>WALTER GROPIUS IN AMERICA --<br/>The Significance of the Post-1930 Emigration --<br/>Walter Gropius and the American Scene --<br/>Architectural Activity --<br/>Gropius as Educator --<br/>Later Development --<br/>American Embassy in Athens, 1956-1961 --<br/>LE CORBUSIER AND THE MEANS OF ARCHITECTONIC EXPRESSION --<br/>The Villa Savoie, 1928-1930 --<br/>The League of Nations Competition, 1927: Contemporary Architecture Comes to the Front --<br/>Large Constructions and Architectural Aims --<br/>Social Imagination --<br/>The Unité d'Habitation, 1947-1952 --<br/>Chandigarh --<br/>Later Work --<br/>The Carpenter Center for Visual Arts, Harvard University, 1963 --<br/>Le Corbusier and His Clients --<br/>The Priory of Ste. Marie de la Tourette, 1960 --<br/>The Legacy of Le Corbusier --<br/>MIES VAN DER ROHE AND THE INTEGRITY OF FORM --<br/>The Elements of Mies van der Rohe's Architecture --<br/>Country Houses, 1923 --<br/>The Weissenhof Housing Settlement, Stuttgart, 1927 --<br/>The Illinois Institute of Technology, 1939 --<br/>High-rise Apartments --<br/>Office Buildings --<br/>On the Integrity of Form --<br/>ALVAR AALTO: IRRATIONALITY AND STANDARDIZATION --<br/>Union between Life and Architecture --<br/>The Complementarity of the Differentiated and the Primitive --<br/>Finnish Architecture before 1930 --<br/>Aalto's First Buildings --<br/>Paimio: The Sanatorium, 1929-1933 --<br/>The Undulating Wall --<br/>Sunila: Factory and Landscape, 1937-1939 --<br/>Mairea, 1938-1939 --<br/>Organic Town Planning --<br/>Civic and Cultural Centers -- <br/>Furniture in Standard Units -- <br/>Aalto as Architect --<br/>The Human Side --<br/>JORN UTZON AND THE THIRD GENERATION --<br/>Relations to the Past --<br/>Jorn Utzon --<br/>The Horizontal Plane as a Constituent Element --<br/>The Right of Expression: The Vaults of the Sydney Opera House --<br/>Empathy with the Situation: The Zurich Theater, 1964 --<br/>Sympathy with the Anonymous Client --<br/>Imagination and Implementation --<br/>THE INTERNATIONAL CONGRESSES FOR MODERN ARCHITECTURE (CIAM) AND THE FORMATION OF CONTEMPORARY ARCHITECTURE --<br/>Part VII. --<br/>CITY PLANNING IN THE NINETEENTH CENTURY --<br/>Early Nineteenth Century --<br/>The Rue de Rivoli of Napoleon I --<br/>THE DOMINANCE OF GREENERY: THE LONDON SQUARES --<br/>THE GARDEN SQUARES OF BLOOMSBURY --<br/>LARGE-SCALE HOUSING DEVELOPMENT: REGENT'S PARK --<br/>THE STREET BECOMES DOMINANT: THE TRANSFORMATION OF PARIS, 1853-1868 --<br/>Paris in the First Half of the Nineteenth Century --<br/>The "Trois Réseaux" of Eugéne Haussmann --<br/>Squares, Boulevards, Gardens, and Plants --<br/>The City as a Technical Problem Haussmann's Use of Modern Methods of Finance --<br/>The Basic Unit of the Street --<br/>The Scale of the Street --<br/>Haussmann's Foresight: His Influence --<br/>Part VIII. --<br/>CITY PLANNING AS A HUMAN PROBLEM --<br/>The Late Nineteenth Century --<br/>Ebenezer Howard and the Garden City --<br/>Patrick Geddes and Arturo Soria y Mata -- <br/>Tony Garnier's Cit4 Industrielle, 1901-1904 -- <br/>AMSTERDAM AND THE REBIRTH OF TOWN PLANNING --<br/>H. P. Berlage's Plans for Amsterdam South --<br/>The General Extension Plan of Amsterdam, 1934 --<br/>Interrelations of Housing and Activities of Private Life --<br/>Part IX. --<br/>SPACE-TIME IN CITY PLANNING --<br/>Contemporary Attitude toward Town Planning --<br/>DESTRUCTION OR TRANSFORMATIONS THE NEW SCALE IN CITY PLANNING --<br/>The American Parkway in the Thirties --<br/>High-rise Buildings in Open Space --<br/>Freedom for the Pedestrian --<br/>The Civic Center: Rockefeller Center, 1931-1939 --<br/>CHANGING NOTIONS OF THE CITY --<br/>City and State --<br/>The City: No Longer an Enclosed Organism --<br/>Continuity and Change --<br/>The Individual and Collective Spheres --<br/>Signs of Change and of Constancy --<br/>Part X. --<br/>IN CONCLUSION --<br/>On the Limits of the Organic in Architecture --<br/>Politics and Architecture --<br/>
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Architecture
General subdivision History.
9 (RLIN) 54081
Source of heading or term Local
Topical term or geographic name entry element Space perception.
9 (RLIN) 172894
Source of heading or term Local
Topical term or geographic name entry element City planning
General subdivision History.
9 (RLIN) 73701
Source of heading or term Local
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Library of Congress Classification
Koha item type Libro
Edition Fifth edition, revised and enlarged 1967
Classification part NA203
Call number prefix General
Call number suffix G5 1967
Existencias
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Source of acquisition Cost, normal purchase price Inventory number Total Checkouts Full call number Barcode Date last seen Copy number Cost, replacement price Koha item type
    Library of Congress Classification     CARIBET Biblioteca Arquitectura CARIBET Biblioteca Arquitectura Colección General CARIBET 27/05/2016 Donado Arquiteto Edwin R. Quiles 10.00 525961   General NA203 G5 1967 91000000040014 27/05/2016 1 20.00 Libro
    Library of Congress Classification     CARIBET Biblioteca Arquitectura CARIBET Biblioteca Arquitectura Colección General CARIBET 27/05/2016 Amazon 26.37 442393   General NA203 G5 2008 91000000003632 30/10/2023 1 36.37 Libro
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