Detalles MARC
| 000 -LEADER |
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| fixed length control field |
06140nam a2200313Ia 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
pucpr |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20200514113031.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
130930s2010 a fr 001 0 eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780415548946 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
pucpr |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
pucpr |
| Modifying agency |
pucpr |
| 041 0# - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
eng |
| 049 ## - LOCAL HOLDINGS |
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| Holding library |
CARIBET |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
NA6821 |
| Item number |
T447 2010 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Strong, Judith. |
| 9 (RLIN) |
281152 |
| 245 10 - TITLE STATEMENT |
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| Title |
Theatre buildings |
| Remainder of title |
a design guide |
| Medium |
txt |
| 264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
New York: |
| Name of producer, publisher, distributor, manufacturer |
Routledge |
| Date of production, publication, distribution, manufacture, or copyright notice |
2010 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
290p. |
| Dimensions |
28cm. |
| Type of unit |
book |
| 336 ## - CONTENT TYPE |
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| Source |
rdacontent |
| Content type code |
txt |
| Content type term |
text |
| 337 ## - MEDIA TYPE |
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| Source |
rdamedia |
| Media type code |
n |
| Media type term |
unmediaded |
| 338 ## - CARRIER TYPE |
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| Source |
rdacarrier |
| Carrier type code |
nc |
| Carrier type term |
volume |
| 500 ## - GENERAL NOTE |
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| General note |
Includes index. |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Foreword By Sir Cameron Macintosh<br/><br/>Preface<br/><br/>Section1: Preliminary Planning<br/><br/>Introduction<br/><br/>Two case studies- Copenhagen and Oslo<br/><br/>The project- phases and time<br/><br/>Preliminary planning-the process<br/><br/>Step1-Project inception<br/><br/>Step 2-Project development and studies<br/><br/>Step 3- Brief writing and designteam<br/><br/>Selection<br/><br/>Conclusion<br/><br/>Broad Principles<br/><br/>Introduction<br/><br/>Location<br/><br/>Components of a theatre<br/><br/>Planning the building<br/><br/>Mechanical and electrical services<br/><br/>Access for people with disabilities<br/><br/>Fire Safety<br/><br/>Sustainnability<br/><br/>Front of House<br/><br/>Introduction<br/><br/>Basic principles<br/><br/>The Journey through front of house<br/><br/>Foyer design and layout<br/><br/>Facilities within the foyer<br/>Provision for other activities<br/>Bars and Catering<br/><br/>Routes and signage<br/><br/>Toilets<br/><br/>Support Areas<br/><br/>Future technology<br/><br/>Auditorium Design<br/><br/>Introduction<br/><br/>Factor influencing size and scale<br/><br/>Auditorium formats<br/><br/>Positioning and seating the audience<br/><br/>Sightlines<br/><br/>Acoustics considerations<br/><br/>Lighting and sound in the auditorium<br/><br/>Ventilation and air handling<br/><br/>Orchestra pit<br/><br/>Adaptability, Flexibility and variable formats<br/><br/>Materials and finishes<br/><br/>The Stage and Stage Machinery<br/><br/>Introduction<br/><br/>Sets and scenery<br/><br/>Setting out the stage house<br/><br/>Overstage machinery<br/><br/>Understage machinery<br/><br/>Stage machinery for the open stage<br/><br/>Overstage machinery<br/><br/>Understage machinery<br/><br/>Stage machinery for the open stage<br/><br/>Lighting,sound and video<br/><br/>Introduction<br/><br/>Lighting equipment and infrastructure<br/><br/>Lighting rigging positions<br/><br/>Lighting control<br/><br/>Sound system infrastructure design<br/><br/>Sound rigging Positions<br/><br/>Sound control positions<br/><br/>Video technology in the theatre<br/><br/>Backstage Provision<br/><br/>Introduction<br/><br/>Circulation<br/><br/>Get-in<br/><br/>Production spaces<br/><br/>Personnel accomodation<br/><br/>Construction spaces<br/><br/>Rehearsal facilities<br/><br/>Additional Spaces<br/><br/>Introduction<br/><br/>Management structures<br/><br/>Funtions and requirements<br/><br/>Office Accomodation- specifications<br/><br/>Education and community activities<br/><br/>Rentals and hires<br/><br/>Storage<br/><br/>Restoration,conversion andimprovement of existing Buildings.<br/><br/>Introduction<br/><br/>Existing stock of theatre building<br/><br/>Opportunities and constraints<br/><br/>Some quick hits<br/><br/>Public areas<br/><br/>Within the auditorium<br/><br/>Backstage<br/><br/>Incorporating elements of new build<br/><br/>Other approaches and some more radical solutions<br/><br/>Reference Projects<br/><br/>Theatre des Bouffes du Nord Paris France<br/><br/>Cerritos Center for the Performing Arts, Cerritos,<br/><br/>California, USA<br/><br/>Copenhagen Opera House, Denmark<br/><br/>The Cottesloe, National Theatre, London,UK<br/><br/>The Courtyard Theatre, Royal Shakespeare Company, Straford-upon-Avon,UK<br/><br/>The Crucible Theatre, Sheffield, UK<br/><br/>The Dommar Warehouse, London, UK<br/><br/>The Egg, Theatre Royal, Bath,UK<br/><br/>Festival Theatre, Edinburgh,Scotland<br/><br/>Glydeborne Festival Opera, East Sussex, UK<br/><br/>Guthrie Theater, Minneapolis, Minnesota, USA<br/><br/>Hackney Empire, London UK<br/><br/>Kings Cross Almeida<br/><br/>London, UK<br/><br/>The Liceu Barcelona, Spain<br/><br/>The Lowry, Salford Quays<br/><br/>Greater Manchester, UK<br/><br/>Mahaffey Theater, St Peterburg, Florida, USA<br/><br/>Melbourne Theatre Company Theatre, Melbourne<br/><br/>Victoria Australia<br/><br/>Milton Keynes Theater,Milton Keynes,UK<br/><br/>The Opera House, Oslo,Norway<br/><br/>The Rounhouse, London, UK<br/><br/>Royal Academy of Dramatic Arts (RADA)London,UK<br/><br/>The Royal Exchange Theatre, Manchester,UK<br/><br/>The Theatre Royal, Bury St Edmunds, Suffolk UK<br/><br/>Trafalgar Studios London, UK<br/><br/>The Tricycle Theatre, London, Uk<br/><br/>Wexford Opera House, Wexford, Ireland<br/><br/>The Winspear Opera House, Dallas, texas, USA<br/><br/>The Young Vic Theatre, London, UK<br/><br/>Glossary<br/><br/>Notes on Contributors<br/><br/>Index<br/><br/><br/><br/><br/><br/> |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"The Association of British Theatre Technicians produced its first guide to the design and planning of theatres in 1972. Revised in 1986, it became the standard reference work for anyone involved in building, refurbishing or creating a performance space. Theatre Buildings: A design guide is its successor." "Written and illustrated by a highly experienced team of international theatre designers and practitioners, it retains the practical approach of the original while extending the scope to take account of the development of new technologies, new forms of presentation, changing expectations and the economic and social pressures which require every part of the theatre to be as productive as possible." "The book takes the reader through the whole process of planning and designing a theatre. It looks in detail at each area of the building: front of house, auditorium, backstage and administrative offices. It gives specific guidance on sightlines, acoustics, stage engineering, lighting, sound and video, auditorium and stage formats. Aspects such as catering, conference and education use are also covered." "The information is supplemented by 28 case studies, selected to provide examples which range in size, style and format and to cover new buildings, renovations, conversions, temporary and found space. The studies include Den Norske, Oslo; the Guthrie Theatre, Minneapolis; the Liceu, Barcelona; Les Bouffes du Nord, Paris; the RSC's Courtyard Theatre in Stratford-upon-Avon; and the MTC Theatre in Melbourne. All have plans and sections drawn to 1:500 scale." "The book contains around 100 high-quality full-colour images as well as over 60 specially drawn charts and diagrams explaining formats, relationships and technical details"--BOOK JACKET....collapse |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Theater architecture |
| 9 (RLIN) |
283330 |
| Source of heading or term |
Local |
|
|---|
| Topical term or geographic name entry element |
Theaters, design and plans. |
| 9 (RLIN) |
283333 |
| Source of heading or term |
Local |
| 700 2# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Strong, Judith. |
| 9 (RLIN) |
281152 |
| 710 10 - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
Association of British Theate Technicians |
| 9 (RLIN) |
197985 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
Libro |
| Classification part |
NA6821 |
| Source of classification or shelving scheme |
Library of Congress Classification |
| Call number prefix |
General |
| Call number suffix |
T44 2010 |