Detalles MARC
| 000 -LEADER |
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| fixed length control field |
03177nam a2200337Ia 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
pucpr |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20260716142316.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
041912s1993 maua b 00110 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780262560818 |
| 035 ## - |
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| System control number |
AEA1252AQ |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
pucpr |
| Language of cataloging |
eng |
| Transcribing agency |
pucpr |
| Modifying agency |
pucpr |
| Description conventions |
rda |
| 041 ## - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
spa |
| 049 ## - LOCAL HOLDINGS |
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| Holding library |
CARIBET |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
N6494.S8 |
| Item number |
F66 1993 |
| 090 ## - |
|---|
| Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
N6494.S8 |
| Local cutter number (OCLC) ; Book number/undivided call number, CALL (RLIN) |
F66 1993 |
| 100 10 - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Foster, Hal |
| 9 (RLIN) |
3342 |
| 245 10 - TITLE STATEMENT |
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| Title |
Compulsive Beauty : |
| Statement of responsibility, etc. |
Hal Foster. |
| Medium |
txt |
| 264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
United States : |
| Name of producer, publisher, distributor, manufacturer |
The Mit Press , |
| Date of production, publication, distribution, manufacture, or copyright notice |
1993. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xxi, 313 p. |
| Other physical details |
ill. ; |
| Dimensions |
23cm. |
| Type of unit |
book |
| 336 ## - CONTENT TYPE |
|---|
| Source |
rdacontent |
| Content type term |
text |
| Content type code |
txt |
| 337 ## - MEDIA TYPE |
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| Source |
rdamedia |
| Media type term |
unmediaded |
| Media type code |
n |
| 338 ## - CARRIER TYPE |
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| Source |
rdacarrier |
| Carrier type term |
volume |
| Carrier type code |
nc |
| 500 ## - GENERAL NOTE |
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| General note |
Index |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Contents:<br/>Preface XI --<br/>1 Beyond The Pleasure Principle? 1 --<br/>2 Compulsive Beauty 19 --<br/>3 Convulsive Identity 57 --<br/>4 Fatal Attraction 101 --<br/>5 Exquisite Corpses 125 --<br/>6 Outmoded Spaces 157 --<br/>7 Auratic Traces 193 --<br/>8 Beyond The Surrealism Principle? 209 --<br/>Notes 215 --<br/>List of Illustrations 299 --<br/>Index 305 --<br/> |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
Surrealism has long been seen as its founder, Andre Breton, wanted it to be seen: as a movement of love and liberation. In Compulsive Beauty, Foster reads surrealism from its other, darker side: as an art given over to the uncanny, to the compulsion to repeat and the drive toward death. To this end Foster first restages the difficult encounter of surrealism with Freudian psychoanalysis, then redefines the crucial categories of surrealism -- the marvelous, convulsive beauty, objective chance -- in terms of the Freudian uncanny, or the return of familiar things made strange by repression. Next, with the art of Giorgio de Chirico, Max Ernst, and Alberto Giacometti in mind, Foster develops a theory of the surrealist image as a working over of a primal fantasy. This leads him finally to propose as a summa of surrealism a body of work often shunted to its margins: the dolls of Hans Bellmer, so many traumatic tableaux that point to difficult connections not only between sadism and masochism butal so between surrealism and fascism. At this point Compulsive Beauty turns to the social dimension of the surrealist uncanny. First Foster reads the surrealist repertoire of automatons and mannequins as a reflection on the uncanny processes of mechanization and commodification. Then he considers the surrealist use of outmoded images as an attempt to work through the historical repression effected by these same processes. In a brief conclusion he discusses the fate of surrealism today in a world become surrealistic. Compulsive Beauty not only offers a deconstructive reading of surrealism, long neglected by Anglo American art history, but also participates in a postmodern reconsideration of modernism, the dominant accounts of which have obscured its involvements in desire and trauma, capitalist shock and technological development -- |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Surrealism |
| 9 (RLIN) |
176064 |
| Source of heading or term |
Local |
|
|---|
| Topical term or geographic name entry element |
Psychoanalysis and art |
| Source of heading or term |
Local |
| 9 (RLIN) |
154691 |
|
|---|
| Topical term or geographic name entry element |
Erotic art. |
| 9 (RLIN) |
92712 |
| Source of heading or term |
Local |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Libro |
| Classification part |
N6494.S8 |
| Call number prefix |
General |
| Call number suffix |
F66 1993 |