Art Nouveau : (Registro nro. 223905)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 09900nam a2200337Ia 4500 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | pucpr |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260604141759.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 110711r20071997gw a 000 0 eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9783833135453 |
| International Standard Book Number | 978833110429 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | pucpr |
| Language of cataloging | eng |
| Transcribing agency | pucpr |
| Modifying agency | pucpr |
| Description conventions | rda |
| 041 1# - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| Language code of original | ger |
| 049 ## - LOCAL HOLDINGS | |
| Holding library | CARIBET |
| 050 14 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N6465 .A7 |
| Item number | F3413 2007 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 709.0349 |
| Edition number | 22 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Fahr-Becker, Gabriele |
| Dates associated with a name | 1946- |
| 9 (RLIN) | 221981 |
| 245 10 - TITLE STATEMENT | |
| Title | Art Nouveau : |
| Statement of responsibility, etc. | Gabriele Fahr-Becker. |
| Medium | txt |
| 250 ## - EDITION STATEMENT | |
| Edition statement | Special edition |
| 263 ## - | |
| Projected publication date | 200706 |
| 264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Alemania : |
| Name of producer, publisher, distributor, manufacturer | H.F Ullmann , |
| Date of production, publication, distribution, manufacture, or copyright notice | 2007. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 424p. |
| Other physical details | ill. ; |
| Dimensions | 26cm. |
| Type of unit | book |
| 336 ## - CONTENT TYPE | |
| Source | rdacontent |
| Content type term | text |
| Content type code | txt |
| 337 ## - MEDIA TYPE | |
| Source | rdamedia |
| Media type term | unmediaded |
| Media type code | n |
| 338 ## - CARRIER TYPE | |
| Source | rdacarrier |
| Carrier type term | volume |
| Carrier type code | nc |
| 500 ## - GENERAL NOTE | |
| General note | Include Index. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Contents:<br/>The Final Chord and A New Beginning Introduction 7 --<br/>Cube and arabesque 7 --<br/>Japan and the West 9 --<br/>Ornamental organisms 12 --<br/>Breathing life into nature – Synesthesia 13 --<br/>Eternal femininity 17 -- <br/>The collage in 1900 18 --<br/>England Ruskin, Morris and the Pre-Raphaelites 25 --<br/>The Aesthetic Movement and Aesthetic Discontent 25 --<br/>A life a beauty – The dandy 26 --<br/>The Pre-Raphaelites 29 --<br/>William Morris and the Arts and Crafts Movement 30 --<br/>The Guilds 32 --<br/>Morris & Co. – Merton Abbey – The Kelmscott Press 33 --<br/>The Dial – The Studio 34 --<br/>Charles Robert Ashbee – The Guild and School of Handicraft 35 --<br/>Charles Francis Annesley Voysey - The house as a work of art 36 --<br/>Arthur Lasenby Liberty – Art and commerce 39 --<br/>Walter Crane – Line and form 43 --<br/>James Abbott McNeil Whistler – Mists of Light 46 --<br/>Oscar Wilde and Aubrey Vincent Beardsley: - The virtue of vice 47 --<br/>Aubrey Vincent Beardsley: Symbolic lines and the eloquence of black 49 --<br/>Glasgow The Blossoming of interior design 53 --<br/>Elegant Scottish proportions 53 --<br/>Charles Rennie Mackintosh – Purified architecture 53 --<br/>Poetry of Interios – The Macdonald Sisters 54 --<br/>The Four – The Glasgow style 57 --<br/>Tea Rooms – Stylized refinements of buildings with a purpose 60 --<br/>Hill House – Scotland’s Ultimate Artistic Whole 66 --<br/>Paris World expositions and the bourgeoisie 71 –<br/>L’art pour l’art – Fin de siècle 71 --<br/>World expositions – The “absolute bourgeoisie” 73 --<br/>Hector Guidmard: Le Style Métro 75 --<br/>L’architecte d’ art 76 --<br/>La divine arabesque – Debussy and Bergson 82 --<br/>“Hey eyes and the diamonds shone in a single flame” (Gustave Flaubert) 85 --<br/>René Lalique: Poetic jewelry – Polished poetry 87 --<br/>Le Style Parisien: Alfons Maria Mucha – Jules Chéret – Eugène Grasset 90 --<br/>Maison Bing, L’ Art Nouveau 92 --<br/>Feminine Art Nouveau aestheticism: Georges de Feure – Eugène Gaillard 93 --<br/>Symbolism in stone – Jules Aimé Lavirotte 95 --<br/>Masters of fire: Potters and glassmakers 95 --<br/>A living arabesque – Loie Fuller 100 --<br/>Henri de Toulouse – Lautrec 100 --<br/>La Revue Blanche – The graphic line 102 --<br/>Nancy The Language of flora and fauna 107 --<br/>Patriotism as a driving force 107 Pantheism and flower mysticism 107 --<br/>Emile Gallé 110 --<br/>A la japonica 113 --<br/>Verres parlantes – “Talking glasses” 114 Glass techniques 114 --<br/>Marvels in wood – Flora and fauna 116 --<br/>Louis Majorelle – Les Nénuphars 119 --<br/>Art for all? 121 --<br/>The Daum brothers’ glass factory 123 --<br/>L’Ecole de Nancy 127 --<br/>Belgium The new architecture 131 --<br/>Symbolism – a Belgian tradition 131 --<br/>Mallarmé – Maeterlinck – Khnopff 131 --<br/>Manifesto of the new style 135 --<br/>Iron and glass – Victor Horta 136 --<br/>The Belgian line 137 --<br/>Heyday of architecture – Brussels around 1900 143 --<br/>Gustave Serrurier – Bovy – Inventor of jointed furniture 148 --<br/>Iron and gold – Sphinx and ivory 150 --<br/>Phillippe Wolfers – Black jewels 151 --<br/>Henry van de Velde – doyen of Art Nouveau 152 --<br/>Synthesis of art 157 --<br/>The figurative line 160 --<br/>The Netherlands abstract line and De Stijl 163 – <br/>Symbolist arabesques 163 --<br/>Haagsche Plateelbakkeerij Rozenburg 164 --<br/>The non-curving line – Abstraction 169 --<br/>Hendrik Petrus Berlage – The new architecture 171 --<br/>De Stijl – Concrete art 175 --<br/>Italy and Russia A step into the future 179 --<br/>Expositions, the total art shows – Turn 1902 179 --<br/>Magic of the Orient – D’Aronco and the Bugattis 180 --<br/>Cult of Eros and beauty – Gabriele D’ Annunzio 185 --<br/>Redundancy and architecture 187 --<br/>Stile Liberty – Futurism 187 --<br/>Russia – Art Nouveau and abstraction 189 --<br/>Barcelona Architecture as a natural phenomenon 195 --<br/>The “Moorish style” 195 --<br/>Antoni Gaudí I Cornet – Catalan and world citizen 195 --<br/>Catalonia and Europe 197 --<br/>Modernisme: Lluis Doménech i Montaner and Manuel Raspall i Mayol 198 --<br/>Aesthic Pluralism 200 --<br/>“God’s Master Builder” – the correlation between structure, form, and space 201 --<br/>Symphonic statics 203 --<br/>Mythology, symbolism and functionality of the organic 203 --<br/>The “Dante of Architecture” 205 --<br/>Painterly and sculptural architectural composition 206 --<br/>La Sagrada Familia 209 --<br/>Munich Capital of arts and crafts 213 --<br/>A youthful mood in southern Germany – New Jugendstil, new lifestyle 213 --<br/>Munich shone! 214 --<br/>August Endell – “Ornamental frenzies” 217 --<br/>Hof-Atelier Elvira 217 --<br/>“Blessed be the spiral”- Hermann Obrist 220 --<br/>The Secession and the “snake painter” 221 --<br/>Munich’s Montparnasse – The Decadent Movementand Symbolism 223 --<br/>Caricature and illustration – Simplicissimus and Jugend 224 --<br/>The Vereinigte Werkstätten für Kunst im Handwerk and the Munich designers 227 --<br/>Richard Riemerschmid – Painter and anatomist of handicraft 229 --<br/>Darmstadt Revolution and art 235 --<br/>Art for all – “Elite art” 235 Deliverance from on high – Patronage around 1900 236 --<br/>Grand Duke Ernst Ludwig of Hesse – Statesman and sponsor 236 --<br/>The Darmstadt artists’ colony 238 --<br/>The home as cult building – Peter Behrens and Joseph Maria Olbrich 242 --<br/>The artists of the colony 248 --<br/>Exhibitions and “documentations” 250 --<br/>“Artists, more than other people, are individualists” 251 --<br/>Berlin German factories and workshops 255 --<br/>Berlin – Jugendstil versus Wilhelminism 255 --<br/>The “Much affair” – Walter Leistikow- Secession 255 --<br/>Pan – Julius Meier-Graefe 259 The total work of art in print 261 --<br/>Dreams of flowering glass – Karl Koepping 262 --<br/>A potpourri of expressive forms 262 --<br/>Jugendstil form Saxony 269 --<br/>Worpswede – lineament and plane 269 --<br/>Peter Behrens – From artist-designer to industrial designer 270 --<br/>Henry van de Velde- The abstract line-Karl Ernst Osthaus 275 --<br/>Weimar and Count Harry Kessler- From Goethe to the Bauhaus 278 --<br/>Scandinavia National consciousness in the “Light of the North” 283 –<br/>Norway and Finland 283 --<br/>The Light and luminosity of the North 283 --<br/>Art Nouveau – Culture heritage lent modern expression 283 --<br/>Edvard Munch – Portraits of human emotion 287 --<br/>Landscape as a vehicle of mood 288 --<br/>Duplicity of nature and style – Tapestries 289 --<br/>Globalism and native tradition 290 --<br/>Akseli Gallen-Kallela – The Finnish soul 293 --<br/>Finland’s “Golden Age” – The artist-designers 294 --<br/>Finnish architecture 297 --<br/>Geselius, Lindgren & Saarinen 299 --<br/>The evolution of architecture into the 20th century 301 --<br/>Denmark and Sweden 304 --<br/>From ‘sophisticated” handcraft to design 304 --<br/>Den Kongelige Porcelainsfabrik- The Royale Danish Porcelain Factory 305 --<br/>Mastery in silver – Georg Jensen 307 --<br/>Visions and “Northern Symbolism” 308 --<br/>From North to South 309 --<br/>New York and Chicago Form Follows function 313 --<br/>Functional organism 313 --<br/>The American Dream – Louis Comfort Tiffany 314 --<br/>Stained-glass windows – A luminous play pf color 316 --<br/>“Favrile” – Invention and Inventiveness in glass 317 --<br/>Tiffany lamps – Glass pictures flooded with light 320 --<br/>Graphic art 323 --<br/>Louis Henry Sullivan 324 --<br/>The Chicago School of Architecture 325 --<br/>Frank Lloyd Wright 327 --<br/>Zen and Prairie 331 --<br/>Vienna End of an era 335 --<br/>Imperial Royal Vienna – Waltzing in bliss 335 --<br/>Coffeehouse culture – The Secession 336 --<br/>Gustav Klimt and the “empty plane” 340 --<br/>The Beethoven Exhibition – A scandal 344 --<br/>Vienna Secession style 345 --<br/>Otto Wagner and modern architecture 347 --<br/>Naissance – The Austrian Post Office Savings Bank 349 --<br/>Furniture as architecture 351 --<br/>Iridescent color from Bohemia 352 --<br/>Adolf Loos – Austerity on the attack 355 --<br/>The liberation of the beauty from ornament 358 --<br/>The Wiener Werkstätte the total work of ar5t accomplished 361 --<br/>Art and patronage 361 --<br/>The inspired métier of the artist craftsman 364 --<br/>Josef Hoffman and Koloman Moser - Purkersdorf Sanatorium 367 --<br/>“Ornamental madness” - Colored squares 369 --<br/>Cabaret Fledermaus - A “miracle of design” 373 --<br/>Palais Stoclet – The total work of art 374 --<br/>Appendix 381 --<br/>Bibliographic notes 381 -- <br/>Glossary 386 --<br/>Biographies 391 --<br/>Biographical references 415 --<br/>Acknowledgements 419 --<br/>Picture credits 420 --<br/>Index 421 --<br/> |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The unity of art and life was the expressed goal of the Art Nouveau movement, the prelude to modernity. On the basis of shared ideas its adherents strove for a homogenous style, which nonetheless took on manifold variations in its expression. Dr. Gabriele Fahr-Becker pursues this yearning for an all-pervasive style in its impact on architecture, interior design, furniture, silver and gold-smithery, ceramics and glasswork, graphic arts and painting -- |
| 546 ## - | |
| Language note | Translated from the German. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Art Nouveau |
| 9 (RLIN) | 30317 |
| Source of heading or term | LEMB |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Libro |
| Classification part | N6465 |
| Source of classification or shelving scheme | Library of Congress Classification |
| Edition | Special edition |
| Call number prefix | General |
| Call number suffix | A7 F3413 2007 |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Home library | Current library | Shelving location | Date acquired | Source of acquisition | Cost, normal purchase price | Inventory number | Total Checkouts | Full call number | Barcode | Date last seen | Copy number | Cost, replacement price | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Library of Congress Classification | CARIBET Biblioteca Arquitectura | CARIBET Biblioteca Arquitectura | Colección General CARIBET | 27/05/2016 | amazon | 13.59 | 488171 | General N6465 .A7 F3413 2007 | 91000000022608 | 27/05/2016 | 1 | 23.59 | 27/05/2016 | Libro |