| Formatted contents note |
List of Figures:<br/>Cover --<br/>1 ‘A Place Between’, architectural reflections in the pool of Jud Fine, ‘Spine’ (1993) Maguire Gardens, Los Angeles Public Library. Photograph: Jane Rendell (1999) --<br/>Section 1: Chapter 1 --<br/>2 Robert Smithson, ‘Spiral Jetty’ (1970) Salt Lake, Utah. Photograph: Cornford & cross (2002) 22 --<br/>3 Walter De Maria, ‘The New York Earth Room’ (1997). Long term installation at Dia Center for the Arts, 141 Wooster Street, New York City. Photograph: Jhon Gliett 28 -- <br/>4 Joseph Beuys, ‘7000 Oasks’ (1982-) New York City. Photograph: Cornford &Cross (2000) 29 --<br/>5-6 Adam Chodzko, ‘Better Scenery’ (2000) Arizona and London. Photograph: Adam Chodkzo (2000) 32 --<br/>7 Andrea Zittel, ‘A-Z Cellular Compartment Units’ (2001) Birmingham. Photograph: Courtesy of Sadie Coles 34 --<br/>8 Enric Miralles and Carmen Pinos, ‘Iqualada Cemetery’ (1988-94) Barcelona. Photograph: Jane Rendell (1999) 38 --<br/>Section 1: Chapter 2 <br/>10 Bournville. Photograph: Jane Rendell (1999) 42 --<br/>11 Cornford & Cross, ‘Utopia (wishful Thimking)’ (1999) 45 --<br/>12 Katrin Bohm, ‘Canopies’ (1999) Bournville. Photograph: Gavin Wade (1999) 46 --<br/>13 Nathan Coley, ‘A Manifesto for Bournville’ (1999) Bournville. Photograph: Gavin Wade (1999) 48 --<br/>14 Darren Lago, ‘Chocolate Garden’ (1999) Bournville. Photograph: Gavin Wade (1999) 51 --<br/>15 Casagrande & Rintala, ‘1000 Banderas Blancas’ (2000) Finland. Photograph: Niklaus Stauss, Zurich (2002) 53 --<br/>Section 1: Chapter 3 <br/>17 Michael Landy, ‘Breakdown’ (2001) London. Photograph: Artangel (2001) 58 --<br/>18 Jeremy Deller, ‘The Battle of Orgreave’ )2001) Sheffield. Photograph: Cornford & Cross (2001) 63 --<br/>19 Foreign Office Architects, ‘Yokohama International Port Terminal’ (1995) Japan. Photograph: Satoru Mishima (1995) 70 --<br/>Section 2: Chapter 1<br/>20 Rut Blees Luxembourg, ‘Caliban Toers I and II’ (1997) Photograph: Jane Rendell (1999) 90 --<br/>21 Demolition of Farnell Point, Hackney, London. Photograph: Jane Rendell (1999) 90 --<br/>22-3 Lacation + Vasal, ‘Palais de Tokyo’ (2001) Paris. Photograph: Jane Rendell and David Cross (2005) 92 --<br/>24-5 Jane Propert, ‘Conductor’ (2000) The Wapping Project, London. Photograph: John Spinks (2000) 97 --<br/>26 Anya Gallaccio, ‘Intensities and Surfaces’ (1996) The Boiler Room, Wapping Pumping Stantion, London. Anya Gallacio. Courtesy of the artist and Lehman Maupin Gallery, New York City 99 --<br/>27 Diller + Scofidio, ‘blur’ (2002) Swiss Expo.02, Lake Neuchatel, Switzerland. Photograph: Beat Widmer (2002) 100 --<br/>Section 2: Chapter 2 --<br/>28 Cornford & Cross, ‘New Holland’ (1997), Sainsbury Centre for Visual Arts, Norwich. Photograph: Cornford & Cross (1997) 106 --<br/>29 Sarah Wigglesworth Architects, ‘Straw Bale House’ (2001-) London. Photograph: Paul Smoothy 109 -- <br/>30 Janet Hodgson, ‘The Pits’ (2005) Canterbury. Photograph: Paul Smoothy 110 --<br/>31 FAT, ‘Picnic’ (1995) London. Photograph: Josh Pullman (1995) 114 --<br/>32 FAT ‘Roadworks’ (1997) London. Photograph: FAT (1997) 115 --<br/>33 Bernard Tschumi, ‘Parc de la Villete’ (1983- 98) Paris. Photograph: Jane Rendell (1999) 118 --<br/>34 Bernard Tschumi, Columbia University (2000) New York. Photograph: Jane Rendell (1999) 119 --<br/>Section 2: Chapter 3 --<br/>35 Sophie Calle, ‘Appointment with Sigmund Freud’ (1999) Actes Sud 2005 122 --<br/>36-9 Mario Petrucci, ‘Search and Create’ Poetry Places (1999) Photograph: Jane Rendell (1999) 126 --<br/>40 Stephen Greenburg, DEGW, Bob Baxter at Large, Gerry Judah, artist sculptor, ‘The Holocaust Exhibition’ (2000) Photograph: Nick Hufton (2000) 128 --<br/>41 Rachel Whiteread, ‘Water Tower’ (1998) New York. Photograph: Jane Rendell (1999) 130 --<br/>42 Rachel Whiteread, Holocaust Memorial’, (1995) Judenplarz, Vienna. Photograph: Felicitas Konecny (2001) 131 --<br/>43-5 Daniel Libeskind, ‘The Jewish Museum’ (1992-9) Berlin. Photograph: Jane Rendell (1999) 134 -- <br/>46 Janet Laurence and Fionna Foley, ‘Edge of the Trees’ (1994) Sydney. Photograph: Greg Buchberger 137 --<br/>47 Paul Carter, ‘Nearamnew’ (1999-2001) Federation Square, elbourne. Photograph: Paul Carter (2005) 140 --<br/>48 Sue Hubbard, ‘Eurydice’ (1999) Waterloo, London. Photograph: Edward Woodman (1999) 142 --<br/>Section 3: Chapter 1 --<br/>49 muf architecture/art, The Pleasure Garden of the Utilities’ (1998) Stoke-on-Trent (Casting the bench in the Armitage Shanks Factory), Photograph: Cathy Hawley (1998) 158 --<br/>50 muf architecture/art, ‘The Pleasure Garden of the Utilities’ (1998) Stoke-on-Trent (in situ after completion). Photograph: Cathy Hawley (1998) 159 --<br/>Section 3: Chapter 2 --<br/>51 Shelley Sacks, ‘Exchange Values: Images of Invisible Lives’ (1996-9) (Exchange Values sheet of skin linked to grower vitas Emanuelle) 164 --<br/>52 Pamela Wells, ‘Tea for 2000’ (detail), (1993) 166 --<br/>53 Mierle Laderman Ukeles, ‘Handshake Ritual’ (1978-9) New York City Photograph: Courtesy Ronald Fieldman Fine Artes, New York City 168 --<br/>54 Suzanne Lacy and Leslie Labowitz, with Bia Lowe AND women from the Los Angeles Woman’s Building, ‘In Mourning and in Rage’ (1997) Los Angeles. Photograph: Maria Karras 169 --<br/>55 Shigeru Ban, ‘Paper Log House’ (1994) Kobe. Photograph: Takanobu Sakuma (1994) 172 --<br/>56-7 public works, ‘Park Products’ (2004) The Serpentine Gallery, London. Photograph: public works (2004) 176 --<br/>58 public works, ‘Park Products’ (2004) The Serpentine Gallery London. Photograph: David Bebber (2004) 177 --<br/>Section 3: Chapter 3 --<br/>59 PLATFORM, ‘Walking the fleet’ (2001) London. Photograph: Jane Rendell (2001) 180 --<br/>60-1 Marysia Lewandowska, ‘Detour’ (1999) London. Photograph: Jane Rendell (1999) 186 --<br/>62-3 UN-Studio (Ben van Berkel with Aad Krom, Jen- Alkem, Mathias Blass, Renco Bruggink, Marc Dijkman, Casper le Fevre, Rob Hootsmans, Tycho Soffree, Giovanny Tedesco, Harm Wassink). ‘Mobius House’ (1993-98)’ t Gooi, The Netherlands, UN Studio Photograph: Christian Richters (1998) 189 --<br/><br/><br/><br/><br/> |