Detalles MARC
| 000 -LEADER |
| fixed length control field |
05274nam a2200445Ia 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
| control field |
pucpr |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
| control field |
20260820163707.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
| fixed length control field |
022010s2006 maua b 000 0deng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
| LC control number |
2006044914 |
| 015 ## - |
| National bibliography number |
GBA671794 |
| Source |
bnb |
| 016 7# - |
| Record control number |
013536702 |
| Source |
Uk |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
| International Standard Book Number |
0262101173 (alk. paper) |
|
| International Standard Book Number |
9780262101172 (alk. paper) |
|
| International Standard Book Number |
9780262101172 |
| 035 ## - |
| System control number |
(OCoLC)ocm65407794 |
|
| System control number |
(OCoLC)65407794 |
| 040 ## - CATALOGING SOURCE |
| Original cataloging agency |
pucpr |
| Language of cataloging |
eng |
| Transcribing agency |
pucpr |
| Modifying agency |
pucpr |
| Description conventions |
rda |
| 041 ## - LANGUAGE CODE |
| Language code of text/sound track or separate title |
spa |
| 049 ## - LOCAL HOLDINGS |
| Holding library |
CARIBET |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
| Classification number |
N72.T4 |
| Item number |
S44 2006 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
| Classification number |
709/.05 |
| Edition number |
22 |
| 245 00 - TITLE STATEMENT |
| Title |
Sensorium : |
| Remainder of title |
embodied experience, technology, and contemporary art. / |
| Statement of responsibility, etc. |
edited by Caroline A. Jones ; essays by Bill Arning ... [et al.] ; abecedarius entries by Bill Arning ... [et al.] ; artist statements by Mathieu Briand ... [et al.]. |
| Medium |
txt |
| 250 ## - EDITION STATEMENT |
| Edition statement |
1st MIT Press ed. |
| 264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
| Place of production, publication, distribution, manufacture |
United States : |
| Name of producer, publisher, distributor, manufacturer |
The Mit Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2006. |
| 300 ## - PHYSICAL DESCRIPTION |
| Extent |
258 p. |
| Other physical details |
ill. (some col.) ; |
| Dimensions |
25 cm. |
| Type of unit |
book |
| 336 ## - CONTENT TYPE |
| Source |
rdacontent |
| Content type term |
text |
| Content type code |
txt |
| 337 ## - MEDIA TYPE |
| Source |
rdamedia |
| Media type term |
unmediaded |
| Media type code |
n |
| 338 ## - CARRIER TYPE |
| Source |
rdacarrier |
| Carrier type term |
volume |
| Carrier type code |
nc |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
| Bibliography, etc. note |
Includes bibliographical references (p. 246-[253]). |
| 505 ## - FORMATTED CONTENTS NOTE |
| Formatted contents note |
Contents:<br/>Xiii Foreword Jane Farver --<br/>1 Introduction Caroline A. Jones --<br/>5 The Mediated Sensorium Caroline A. Jones --<br/>Curatorial Essay / Artist Statements:<br/>50 Mathieu Briand Yuko Hasegawa --<br/>56 Janet Cardiff and George Bures Miller Marjory Jacobson --<br/>62 Natascha Sadr Haghighian Bill Arning --<br/>68 Ryoji Ikeda Yuko Hasegawa --<br/>73 Christian Jankowski Bill Arning Joe Haldeman --<br/>79 Bruce Nauman Jane Farver --<br/>84 Francois Roche and R&Sie(n) Jane Farver --<br/>91 Anri Sala Marjory Jacobson --<br/>98 Sissel Tolaas Bill Arning --<br/>Abecedarius :<br/>104 air Bruno Latour --<br/>108 artificial Mark Doty --<br/>112 auditory Michael Bull --<br/>115 biomimetics Caroline A. Jones --<br/>119 compoundings Donna Haraway --<br/>125 control Chris Csikszentmihalyi --<br/>128 corpus Stephen Wilson --<br/>133 decorporealization Amelia Jones --<br/>137 ether Caroline A. Jones --<br/>142 Fragrance Constance Classen --<br/>146 godscan Peter Lunenfeld --<br/>149 hedonics Babara Maria Stafford --<br/>154 identity theft Caroline Bassett --<br/>156 ipod Michael Bull --<br/>159 kinaesthesia Zeynep Celik --<br/>163 labanotation Yvonne Rainer --<br/>167 mediation Michael Bull --<br/>169 mental image Stephen M. Kosslyn --<br/>171 nanofacture Peter Galison --<br/>174 networked eyes William J. Mitchell --<br/>180 neurodynamics Babara Maria Stafford --<br/>182 neuroexistentialism Joseph Dumit --<br/>190 ocularity Martin Jay --<br/>194 prosthetics Bill Arning --<br/>200 remote sensing Caroline Bassett --<br/>202 robotics Chris Csikszentmihalyi --<br/>207 spectral Jonathan Crary --<br/>212 surveillant Thomas Y. Levin --<br/>216 synaesthesia Caroline A. Jones --<br/>220 tethering Sherry Turkle --<br/>227 umami Hiroko Kikuchi --<br/>229 utopian body Michel Foucault --<br/>235 viral Neal Stephenson --<br/>237 wetware Michael Swanwick / William Gabison --<br/>238 yuck factor Caroline Bassett --<br/>241 zoon Caroline A. Jones/Donna Haraway --<br/>246 Works Cited --<br/>254 Artist, Curator, and Author Biographies --<br/> |
| 520 ## - SUMMARY, ETC. |
| Summary, etc. |
The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In Sensorium, contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand's experiment in "controlled schizophrenia" and Janet Cardiff and Georges Bures Miller's uneasy psychological soundscapes to Bruce Nauman's uncanny night visions and François Roche's destabilized architecture. The art in Sensorium--which accompanies an exhibition at the MIT List Visual Arts Center--captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on "The Mediated Sensorium" by Caroline Jones. In the second half of Sensorium, scholars, scientists, and writers contribute entries to an "Abecedarius of the New Sensorium." These short, playful pieces include Bruno Latour on "Air," Barbara Maria Stafford on "Hedonics," Michel Foucault (from a little-known 1966 radio lecture) on the "Utopian Body," Donna Haraway on "Compoundings," and Neal Stephenson on the "Viral." Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists' provocations, and from a distance, in essays that situate it historically and intellectually -- |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name entry element |
Art and technology |
| 9 (RLIN) |
197532 |
| Source of heading or term |
Local |
|
| Topical term or geographic name entry element |
Technology |
| General subdivision |
Social aspects |
| -- |
History |
| Chronological subdivision |
21st century. |
| 9 (RLIN) |
177431 |
| Source of heading or term |
Local |
|
| Topical term or geographic name entry element |
Technology |
| General subdivision |
Social aspects |
| -- |
History |
| Chronological subdivision |
20th century. |
| 9 (RLIN) |
177431 |
| Source of heading or term |
Local |
|
| Topical term or geographic name entry element |
Art, Modern |
| Chronological subdivision |
21st century. |
| Source of heading or term |
Local |
| 9 (RLIN) |
54863 |
|
| Topical term or geographic name entry element |
Art, Modern |
| Chronological subdivision |
20th century. |
| Source of heading or term |
Local |
| 9 (RLIN) |
54863 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
| Personal name |
Jones, Caroline A. |
| 9 (RLIN) |
240294 |
|
| Personal name |
Arning, Bill. |
| 9 (RLIN) |
197339 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Libro Col. General CARIBET |
| Classification part |
N72.74 |
| Call number prefix |
General |
| Call number suffix |
S44 2006 |