Architectural representation and the perspective hinge. (Registro nro. 215194)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 06684nam a2200337Ia 4500 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | pucpr |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20220310194426.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 031010s19972000maua bi 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 97011186 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780262161695 |
| Qualifying information | hc. : alk. paper |
| International Standard Book Number | 9780262661133 |
| Qualifying information | pb. : alk. paper |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | pucpr |
| Language of cataloging | eng |
| Description conventions | rda |
| Transcribing agency | pucpr |
| Modifying agency | pucpr |
| 049 ## - LOCAL HOLDINGS | |
| Holding library | CARIBET |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | NA2700 |
| Item number | P4 2000 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 720/.22/2 |
| Edition number | 21 |
| 100 2# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Pérez Gómez, Alberto |
| Dates associated with a name | 1949- |
| 9 (RLIN) | 263133 |
| 245 10 - TITLE STATEMENT | |
| Title | Architectural representation and the perspective hinge. |
| Statement of responsibility, etc. | Alberto Pérez-Gómez, Louise Pelletier / |
| Medium | txt |
| 250 ## - EDITION STATEMENT | |
| Edition statement | First MIT Press paperback edition |
| 264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Massachusetts : |
| Name of producer, publisher, distributor, manufacturer | MIT Press , |
| Date of production, publication, distribution, manufacture, or copyright notice | 2000. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 505 p. |
| Other physical details | ill. |
| Dimensions | 24 cm. |
| Type of unit | book |
| 336 ## - CONTENT TYPE | |
| Source | rdacontent |
| Content type code | txt |
| Content type term | text |
| 337 ## - MEDIA TYPE | |
| Source | rdamedia |
| Media type code | n |
| Media type term | unmediaded |
| 338 ## - CARRIER TYPE | |
| Source | rdacarrier |
| Carrier type code | nc |
| Carrier type term | volume |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references (p. [456]-497) and index. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Prelude--<br/>Mapping the Question: The Perspective Hinge --<br/>3 - Translation vs. transcription. The poetic origin of architecture. --<br/>8 - Architectural meaning and the tools of the architect. The fallacy of neutral techniques. --<br/>10 - Theories of vision and the reciprocity between seeing and being seen. Perspectiva naturalis, medieval optics, and temporality. --<br/>16 - From natural perspective to artificial construction. The inception of perspectiva artificialis in the Renaissance. --<br/>29 - Binocular vision. The introduction of a second observer. --<br/>33 - Sectioning the cone of vision: the nature of theory. From footprints and faces to architectural representation as a set of coordinated projections. The origin of modern architectural representation in the European seventeenth and eighteenth centuries. --<br/>51 - The science of the observer. Transformations in the concept of light: from divine emanation (perspectiva naturalis) to quantifiable substance (perspectiva artificialis). --<br/>68 - Back to modernity and beyond. Projective optics and the speed of light. --<br/>80 - Casting light onto modernity. The use of projection in the modern world. --<br/>83 - From instrumental representation to collective participation? <br/>Variation One --<br/>Architectural Representation and the Distorted Image --<br/>89 - Against a progressive history of the image. The use of projections in antiquity: Ptolemy. --<br/>97 - Scenographia and optical correction from Vitruvius to Perrault. Euclid's Optics and the priority of embodied experience. --<br/>105 - Model and scenography. From mode and module to scale model. --<br/>111 Sciographia and projected shadows. Barbaro and Scamozzi: the architectural section as shadow or imprint. The objectification and systematization of shadows in perspective. --<br/>125 - The extent of infinity. Girard Desargues's projective geometry and Juan Caramuel de Lobkowitz's theories: two frameworks for the use of projection in architecture. --<br/>138 - Relocating anamorphosis. The initial disjunction of undis-torted presence and distorted appearance: from magical manipulation to innocuous game. --<br/>149 - Constructing a distorted order. Desargues's projection as totalizing vision. Caramuel de Lobkowitz's architectura oblicua: a "strange" symbolic order. -<br/>158 - When the center becomes peripheral. Distorted appearance as a denial of perspective depth. --<br/>161 - The confrontation between theory and practice. Guarino Guarini's critique of Caramuel. <br/>Variation Two ---<br/>Cosmological Perspectives --<br/>177 - Setting the world in motion. The implications of a Copernican world-view. --<br/>185 - Redefining a hierarchical universe. Johann Heinrich Lambert's cosmological theory. --<br/>195 - Recentering the world. Lambert's reversible perspective theory and his perspectograph. --<br/>205 - The eccentric point of view. Lambert's perspective and its relationship to quadratura and scena per angolo. --<br/>214 - Perspective fantaisies. Jean-Laurent Legeay's disrupted perspective space. --<br/>227 - A world of scientific light and objective shadows. The beginning of scientific photometry. --<br/>230 - Framing the Earth. From mythical maps of temporalized space to Lambert's modern cartography. --<br/>243 - Cosmological volumes. The (Platonic) architectural structure of the cosmos: a theme for early parallel projection in Renaissance and Baroque perspective treatises. --<br/>266 - Truth as measurement: fortifications and isometry. Representation in Renaissance and baroque treatises on fortification. Filarete, Simon Stevin, Vauban, and others. Perspective as a military discipline in the eighteenth century. Back to natural perspective: the fusion of perspective and mechanistic optics. Different consequences of the "naturalization" of perspective. <br/>Variation Three --<br/>The Image without an Observer in a Scopophilic World --<br/>281 - Between darkness and light. From the camera obscura to the camera lucida. The coincidence of scientific optics and descriptive geometry. --<br/>288 - From perspectivism to pure objectivity. Epistemological consequences. --<br/>292 - From physics to pataphysics. Science and architectural theory. --<br/>298 - The perspective hinge. Between reductive precision and self-referential poetic revelation. Perspective drawing as delusion. From descriptive to projective geometry: Durand and instrumentality. --<br/>307 - From measurement to abstraction: isometry and axonometry. Auguste Choisy's objectified history of architecture. --<br/>317 - The reversibility of axonometry. Lissitzky's Pangeometrie. --<br/>322 - The collapse of the image and the represented object. The trace and the index. --<br/>330 - Vision and depth. From perspectivism as the condition of modern/postmodern solipsism to a retrieval of projection as the site of ontological continuity. Marsilio Ficino, Friedrich Nietzsche, Walter Benjamin, and Maurice MerleauPonty. --<br/>340 - Axonometry as collage: Le Corbusier's Poeme de Pringle droit. A poetic theory of architecture. --<br/>361 - Time into lived space: Le Corbusier's La Tourette. The architectural program as project and situation. --<br/>Coda --<br/>371 — Projection revisited: the reversibility of optics. Projection revisited in art and cinematography. The chiasm of light and shadow as the site of truth. --<br/>377 — Digital space. The potential of absolute fluidity and the pitfalls of increasing fixation and reduction. --<br/>383 — Philosophical corollary. The world as technology. De architectura in ten notes. -- |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Architectural drawing |
| 9 (RLIN) | 54079 |
| Source of heading or term | Local |
| Topical term or geographic name entry element | Architecture -- Philosophy. |
| 9 (RLIN) | 196826 |
| Topical term or geographic name entry element | Perspective. |
| 9 (RLIN) | 150058 |
| Source of heading or term | Local |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Pelletier, Louise |
| Dates associated with a name | 1963- |
| 9 (RLIN) | 262785 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | Library of Congress Classification |
| Koha item type | Libro |
| Edition | First MIT Press paperback edition |
| Classification part | NA2700 |
| Call number prefix | General |
| Call number suffix | P4 2000 |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Source of acquisition | Cost, normal purchase price | Inventory number | Total Checkouts | Full call number | Barcode | Date last seen | Date last checked out | Copy number | Cost, replacement price | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Library of Congress Classification | CARIBET Biblioteca Arquitectura | CARIBET Biblioteca Arquitectura | Colección General CARIBET | 02/11/2009 | amazon | 63.64 | 445303 | 1 | General NA2700 P4 2000 | 91000000006056 | 07/02/2018 | 09/01/2018 | 1 | 73.64 | 02/11/2009 | Libro |